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Michael Jackson: Live in Bucharest: The Dangerous Tour

Release Date: 2005-07-26

Sales rank: 3

Studio: Sony Music Release Date: 07/26/2005


True Blood: The Complete First Season (HBO Series)

Release Date: 2009-05-19

Sales rank: 9

TRUE BLOOD chronicles the backwoods Louisiana town of Bon Temps... where vampires have emerged from the coffin, and no longer need humans for their fix. Sookie Stackhouse (Anna Paquin, Golden Globe(R)-winner for "True Blood", Academy Award®-winner for “The Piano”) works as a waitress at the rural bar Merlotte's. Though outwardly a typical young woman, she keeps a dangerous secret: she has the ability to hear the thoughts of others. Her situation is further complicated when the bar gets its first vampire patron - 173-year old Bill Compton (Steven Moyer, "Quills") - and the two outsiders are immediately drawn to each other. Delivering the best of what audiences have come to expect from Creator and Executive Producer Alan Ball (writer of Oscar®-winning Best Picture “American Beauty”, creator of the Emmy® Award-winning HBO® series “Six Feet Under”), TRUE BLOOD is a dark and sexy tale that boldly delves into the heart - and the neck - of the Deep South.

DVD Features:
Audio Commentary
Documentary
Other

Alan Ball’s True Blood series works well for television, as it has enough sensationalism to tantalize and enough story girth to make the viewer care about the characters. That one can finally invest emotion into monsters, including an undead Civil War victim, a transformer who can shapeshift into various animals, and a female mind reader, speaks volumes about America’s willingness to accept fantasy. Of course, television has always produced good fantasy shows (I Dream of Jeannie), but True Blood’s Southern Goth brand of fun horror is more macabre and more perverse, not to mention gorier, than most shows of its kind to date. Adapted from Charlaine Harris’ Sookie Stackhouse novels, True Blood thrills because of its equal blend in each episode of erotica, humor, tragedy, mystery, and fantasy. 

Set in a rural, swampy Louisiana parrish, the show centers around Sookie Stackhouse (Anna Paquin) and her clan, sweet grandmother Adele (Lois Smith) and air-headed brother Jason (Ryan Kwanten). Illicit love is spawned early on, when Sookie saves vampire Bill Compton (Stephen Moyer) from having his blood stolen in the parking lot of Merlotte’s diner, owned by Sam Merlotte (Sam Trammell) who completes what will form a complex love triangle. As tensions between Sookie’s suitors loosen or tighten, many side plots, such as her African American best friend Tara’s (Rutina Wesley) struggle with an alcoholic, Bible-thumping mother and her brother’s dangerous crush on drug addicted hippie, Amy Burley (Lizzy Caplan), keep one wondering who will succeed in this podunk place. The main tension throughout, however, is a race war waged between vampires and humans. As murders of “fang bangers” occur (human girls who let vampires bite them) and dumb policeman Andy Bellefleur (Chris Bauer) fails to find clues, one sees the metaphorical implications of vampirism and feels deeper resonance with what can be a downright trashy show. Gossip galore, especially about what kinds of babies interbreeding will produce, is rampant. One of the funniest characters is Tara’s flamboyant cousin, Lafayette (Nelsan Ellis), who deals drugs, works as a fry cook, and services the local white politicians, while making sure he’s always up in everyone’s business.

What makes True Blood smarter than pure soap opera is the parallels it draws between its monster mash and actual, familiar societal problems. Sookie and her friends watch the news, where Evangelicals bash vampires and prohibit mixed marriage, and everyone is addicted to V, a.k.a vampire blood, that effects like psychedelic heroin. Even its gore reflects a mix of serious and silly, as vampires explode into red, sticky goop. Though it may not be attempting to qualify for the best vampire footage ever shot, True Blood is as addictive as that substance the town’s youth obsesses over, which is a metaphor in itself. --Trinie Dalton



Stills from True Blood (Click for larger image)








Michael Jackson - Dangerous: The Short Films

Release Date: 2001-11-13

Sales rank: 5

Songs: Black or White, Heal The World (Super Bowl version), Remeber the Time, Will You Be There, In the Closet, Gone Too Soon, Jam, Heal the World, Give In to Me, Who Is It, Dangerous. 112 minutes.


Gran Torino (Widescreen Edition)

Release Date: 2009-06-09

Sales rank: 13

DISGRUNTLED KOREAN WAR VET WALT KOWALSKI SETS OUT TO REFORM HIS NEIGHBOR, A YOUNG HMONG TEENAGER, WHO TRIED TO STEAL KOWALSKI'S PRIZED POSSESSION: HIS 1972 GRAN TORINO.Clint Eastwood's Gran Torino, an unassuming picture shot during a post-production lull on his elaborate period piece Changeling, was quietly rolled out at Christmastime 2008, whereupon it proceeded to blow away all the Oscar-bait behemoths at the box office and win its 78-year-old star the best reviews of his acting career. Both film and performance are consummately sly--coming on with deceptive simplicity, only to evolve into something complex, powerful, and surprisingly tender. Just as Unforgiven was a tragic reflection on Eastwood's legacy in the Western genre, Gran Torino caps and eloquently critiques the urban heritage of Dirty Harry and his violent brethren. And on top of that, the movie becomes a savvy meditation on America in a particular historical moment, racially, economically, spiritually. Call it a "state of the union" message. But call it that with a wry grin.

The latest Dirty Harry is actually a grumpy Walt: Walt Kowalski (Eastwood playing his own age), widower, Korean War veteran, retired auto worker, and the last white resident of his Detroit side street. It's hard to say who irks him more--his blood kin (a pretty lame bunch) or the Hmong families who are his new neighbors. Kowalski's a racist, because it has never occurred to him he shouldn't be. Besides, that's the flipside of the mutual ethnic baiting that serves as coin of affection for him and his working-class buddies. Circumstances--and two young people next door, the feisty Sue (Ahney Her) and her conflicted brother Thao (Bee Vang)--contrive to involve Walt with a new community, and anoint him as its hero after he turns his big guns on some ruffians. The trajectory of this may surprise you--several times over. Eastwood opted to film in economically blighted Detroit--a shrewd decision, but it's his mapping of Walt's world in that classical style of his that really counts. Every incidental corner of lawn, porch, and basement comes to matter--and by all means the workshop/garage that houses the mint-condition Gran Torino which Walt helped build in a more prosperous era. This is a remarkable movie. --Richard T. Jameson


Jillian Michaels - 30 Day Shred

Release Date: 2008-03-18

Sales rank: 10

Studio: Lions Gate Home Ent. Release Date: 03/18/2008 Run time: 60 minutes Rating: Nr


Entourage: The Complete Fifth Season

Release Date: 2009-06-30

Sales rank: 6

For Vince, Eric, Drama, and Turtle, life in Hollywood's fast lane can be an intoxicating ride. In Season Five, can the guys put the Medellin fiasco behind them and orchestrate a career comeback for Vince?Entourage's fifth season leaves our movie star in a pickle: his big Oscar shot, Medellin, is a dismal failure, and Vincent (Adrian Grenier) has burrowed away to Mexico to drown his sorrows in booze and women. How does a once-promising actor get his confidence, legitimacy, and bankability back? That's the key premise this time around, and like some of its previous seasons, is always more interesting when Vince is struggling than when he's on top. Once his crew--manager Eric (Kevin Connolly), big brother Johnny Drama (Kevin Dillon), agent Ari (Jeremy Piven), and driver Turtle (Jerry Ferrara)--convince Vince to get back in the game, he finds many once-welcoming doors closed. He eagerly takes a meeting with Shawshank Redemption director Frank Darabont (playing himself), only to feel insulted when he finds it's for a TV pilot. (His subsequent options? Appearing at a Sweet Sixteen party and doing a Benji movie.) Once a promising script about firefighters (called Smokejumpers) piques Vince's interest, ensuing episodes become a complex chess game of job-hopping, backdoor-dealing, and back-scratching, which is always Entourage's strength. As Vince watches his star fade, Grenier gets a chance to let his sunny optimism crack, even sitting in Ari's office and begging to be told he's a good actor.

The celebrity guest stars are plentiful and more integral this season. Jason Patric--playing himself--lampoons his difficult on-set reputation brilliantly as Vince's co-star in Smokejumpers. (The onetime Speed 2 star brags about being offered the lead in Aquaman 2, but turned it down: "Sequels, water: they're not for me.") Stellan Skarsgard (Good Will Hunting) plays a famous German director who clashes with Vince; Jamie-Lynn Sigler (The Sopranos) cameos as a new love interest for Turtle; Leighton Meester (Gossip Girl) reprises her Season One role as an aspiring singer, and Eric Roberts plays himself (who happens to deal 'shrooms on the side) in a wacky episode involving the guys' drug-fueled night of reflection at Joshua Tree. Even Mark Wahlberg, the show's producer and inspiration, plays himself in a golf scene with former agent Ari (priceless line: "What about when you told me you liked The Truth About Charlie?"). The only unwelcome cameo is in "Seth Green Day," in which the actor turns up for no other reason than to re-surface his war with Eric and annoy everyone to death. Extras include cast commentaries and a behind-the-scenes featurette. --Ellen A. Kim

Stills from Entourage: The Complete Fifth Season (click for larger image)




Number Ones

Release Date: 2003-11-18

Sales rank: 8

Studio: Sony Music Release Date: 11/18/2003


Watchmen (Director's Cut) (Amazon Digital Bundle + Digital Copy and BD-Live) [Blu-ray]

Release Date: 2009-07-21

Sales rank: 7

Everybody's favorite graphic novel comes to the screen (after years of rumors and false starts), less a roaring work of adaptation than a respectful and faithful take on a radical original. Watchmen is set in the mid-1980s, a time of increased nuclear tension between the United States and the Soviet Union, as Richard Nixon is enjoying his fifth term as president and the world's superheroes have been forcibly retired. (As you can probably tell, the mix of authentic history and alternate reality is heady.) Things begin with a bang: the mysterious high-rise murder of the Comedian (Jeffrey Dean Morgan), a masked hero with a checkered past, puts the rest of the retired superhero community on alert. The credits sequence, a series of tableaux that wittily catches us up on crime-fighting backstory, actually turns out to be the high point of the movie. Thereafter we meet the other caped and hooded avengers: the furious Rorschach (Jackie Earle Haley), the inexplicably naked Dr. Manhattan (Billy Crudup, amidst much blue-skinned, genital-swinging digital work), Silk Spectre II (Malin Akerman), Nite Owl II (Patrick Wilson), and Ozymandias (Matthew Goode). The corkscrewing storytelling, which worked well in the comic book, gives the movie the strange sense of never quite getting in gear, even as some of the episodes are arresting. Director Zack Snyder (300) doesn't try to approximate the electric impact of the original (written by Alan Moore--who declined to be credited on the movie--and illustrated by Dave Gibbons) but retains careful fidelity to his source material. That doesn't feel right, even with the generally enjoyable roll-out of anecdotes. Even less forgivable is the blah acting, excepting Jeffrey Dean Morgan (lusty) and Patrick Wilson (mellow). Watchmen certainly fills the eyes, although less so the ears: the song choices are regrettable, especially during an embarrassing mid-air coupling between Nite Owl II and Silk Spectre II as they unite their--ah--Roman numerals. In the end it feels as though a huge work of transcription has been successfully completed, which isn't the same as making a full-blooded movie experience. --Robert Horton


Ghostbusters [Blu-ray]

Release Date: 2009-06-16

Sales rank: 31

Studio: Sony Pictures Home Ent Release Date: 06/16/2009 Run time: 105 minutes Rating: PgDan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by Ivan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could "slime" people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. Still a lot of fun, and an obvious model for sci-fi comedies such as Men in Black. --Tom Keogh


Twilight (Two-Disc Special Edition)

Release Date: 2009-03-21

Sales rank: 16

Bella Swan (Kristen Stewart) doesn’t expect much when she moves to the small town of Forks, Washington, until she meets the mysterious and handsome Edward Cullen (Robert Pattinson)—a boy who’s hiding a dark secret: he’s a vampire. As their worlds and hearts collide, Edward must battle the bloodlust raging inside him as well as a coterie of undead that would make Bella their prey. Based on the #1 New York Times best-selling sensation by Stephenie Meyer, Twilight adds a dangerous twist to the classic story of star-crossed lovers.

DVD features:

  • Presented in widescreen format only
  • Audio commentary by Catherine Hardwicke, Kristen Stewart, and Robert Pattinson
  • Muse music video: "Super Massive Black Hole"
  • Paramore music video: "Decode"
  • Linkin Park music video: "Leave Out All the Rest"
  • Five extended scenes with director introductions
  • Five deleted scenes with director introductions
  • Seven-part documentary: "The Adventure Begins: The Journey from Page to Screen"
  • Comic-Con "fandom" piece
  • Comic-Con NY sizzle reel
  • Three trailers
  • Penelope trailer
The big-screen adaptation of Twilight, Stephenie Meyer's bestselling vampire romance, is aimed squarely at its key demographic: teen girls whose idea of Prince Charming is a brooding, pale, undead teen who could kill you instantly at any moment. Such a prince is more fascinating than frightening to new girl Bella Swan (Kristen Stewart), who moves to the rainy-gray town of Forks, Wash., to live with her dad (Billy Burke), the local sheriff who's puzzled by a series of "animal attacks." On her first day at school, Bella appears to (visibly) nauseate her lab partner, Edward (Robert Pattinson). Turns out the scent of her blood is this vampire's "brand of heroin," and his struggle not to kill her causes an irresistible pull toward her. Whether he's attracted for the normal reasons or because she smells especially sweet to him is vague in the book and even less clear on-screen; nonetheless, Bella falls hopelessly in love with Edward, which sets her on a dangerous path when a few nomad vampires show up in town, one particularly keen on tracking the human. Directed by Catherine Hardwicke (Thirteen), Twilight is full of funny moments--not all of which are intentional--and the casting, from Stewart to Bella's self-absorbed friend Jessica (Anna Kendrick) is spot-on. The weakest link, unfortunately, is Pattinson. While he certainly looks the part, his Edward could have used an extra injection of testosterone (Pattinson, who is British, used James Dean as a model for his American accent). In scenes where he growls about the temptation to kill those who would harm Bella, or flitting around a forest warning her how dangerous he is, he comes off more like a whimpering puppy than a debonair monster. The good news is, his chemistry with Stewart (particularly in their big kissing scene) is palpable, which, let's face it, is really what matters to Twilight fans most. --Ellen A. Kim

On the DVD
The special features for Twilight kick off with an audio commentary with director Catherine Hardwicke and stars Kristen Stewart and Robert Pattinson. There's some mumbling and groaning from Stewart (one gets the impression that Stewart is quite similar to her reserved character in the film), some standard behind-the-scenes observations from Hardwicke, and a lot of awkward self-deprecating remarks from Pattinson (of their big kiss, he opines: "This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle."). What's funny is Pattinson stumping Hardwicke with some basic plot questions, like "Why doesn't James just kill [Bella when she's packing at her house]?" While Hardwicke and Stewart attempt to answer, Pattinson doesn't appear satisfied. The deleted and extended scenes include an additional dream-sequence kiss (rightly cut because it took away from the buildup to their first kiss) and more footage of Victoria (Rachelle Lefevre). The seven-part documentary is a pretty thorough look at the development of the film, including stunts, special effects, and the involvement of author Stephenie Meyer. Another featurette looks at the Comic-Con frenzy; however, it spends no time on how the actors were cast, which would have been fun for fans who did all their own mental casting while reading the books. Also included: three music videos and trailers. --Ellen A. Kim

Twilight at Amazon.com


Twilight books

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Twilight soundtrack

Stills from Twilight (Click for larger image)




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