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All I Intended to Be
Release Date: 2008-06-10
Sales rank: 12
On her second Nonesuch disc, Emmylou Harris assembles an extraordinary cast of veteran musicians and fellow singers, all of them longtime friends, for a set that indeed showcases this Nashville icon, and 2008 CMA Hall of Fame inductee, as all she has intended to be - a singularly expressive vocalist, a brilliant interpreter of other people's songs, a graceful and confident songwriter. In particular, the album displays Harris's ability to bring new life to songs that may have been overlooked, forgotten or lost along the way. Some of the most affecting material here may be the least well-known - though not for long: John Wesley Routh's celtic/country "Shores Of White Sands" and trucker-poet Mark Germino's heartrending story-song, "Broken Man's Lament." Harris has chosen these songs with conceptual care. Like much of the gently uplifting All I Intended To Be, the stories may be bittersweet, the characters may be downtrodden, but somehow a sense of redemption always vanquishes regret. The shared history of all the artists involved deepens the feeling of hard-won wisdom that informs All I Intended To Be. Producer Brian Ahern was behind the boards for such early Harris classics as Elite Hotel, Pieces of the Sky and Blue Kentucky Girl. The players and guest stars are not only a veritable who's-who from the worlds of country, bluegrass and folk, but they have each intersected with Harris throughout her four-decade career as a recording artist. They include Dolly Parton, singers Pam Rose and Maryann Kennedy, dobro player (and longtime Seldom Scene member) Mike Auldredge, keyboardists Glenn D. Hardin (of Harris's Hot Band and Elvis Presley's legendary TCB combo) and Bill Payne (of Little Feat). Two songs - the June Carter tribute, "How She Could Sing The Wildwood Flower" and the breathtakingly beautiful "Sailing Round the Room" - were co-written by and performed with Kate and Anna McGarrigle. Singer-songwriter Karen Brooks, whose own eighties-era version of "Shores of White Sands" was the inspiration and thematic jumping-off point for this entire album, contributes backing vocals throughout; Randy Sharp, Brooks' singing partner, did the vocal arranging. (Harris won a 2005 Best Country Vocal Performance Grammy for her rendition of Sharp's "The Connection.") Harris's own songs, like the heartache ballad "Gold" and the elegiac "Not Enough," blend seamlessly with work by Patty Griffin ("Moon Song"), Merle Haggard ("Kern River") and Billy Joe Shaver ("Old Five and Dimers," from which the album title is taken). Harris revives what is arguably Tracy Chapman's most eloquent song, "Fast Car" notwithstanding - "All That You Have Is Your Soul," a cautionary tale with a simple but profound prayer of a chorus. Displaying the maturity, elegance and ease that distinguished All The Road Running, her best-selling 2006 collaboration with Mark Knopfler. Harris has created a riveting emotional and spiritual journey. All That I Intended To Be is everything a listener and fan could hope for.Emmylou Harris has always had a way with woe. On All I Intended To Be, she seems more maudlin than ever as she sings her way through songs about loss, heartbreak, even the odd funeral. Of course, this is the kind of material Harris has always been comfortable with, but as her career and years advance gracefully, so her gliding soprano seems to breathe ever more refinement and soul into her material. All I Intended To Be has been produced by Brian Ahern, her former husband and the man behind her first 11 albums--another reason the album sounds so comfortable and accomplished. Joined by a virtuoso set of players including keyboardist Glen Hardin and multi-instrumentalist Stuart Duncan, plus vocalists Vince Gill, Buddy Miller, and Dolly Parton, Harris blends a handpicked selection of cover versions with her own material. Tracy Chapman's "All That You Have Is Your Soul" gets a honeyed reworking, as does Merle Haggard's "Kern River" and Mark Germino's "Broken Man's Lament". Billy Joe Shaver's "Old Five" and "Dimers Like Me" both get respectfully and sublimely covered too. But her own songs--in particular "Sailing Round the Room" and "Gold"--stand up well to these evergreens. An eclectic and profound set, All I Intended To Be is also one of Harris’ best in recent years.--Danny McKenna |
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Rockferry
Release Date: 2008-05-13
Sales rank: 11
The most hotly anticipated album release of this New Year comes not from someone rammed into the collective consciousness by their media ubiquity. Duffy is an unknown quantity at this point, having performed but a small number of gigs, mostly in support of The Magic Numbers, and having only just begun to be seen on TV, most notably with recent appearances on Jools Holland's Later and New Year Hootenanny.
Yet her soulful voice has already beguiled many of the nation's musical tastemakers and news of its beauty and of the strength of her songs is spreading by word of mouth even as you read these words. Radio One's Jo Whiley chose Duffy's title track and album taster `Rockferry' as her Single of the Week in late November, further adding to the momentum. Now, as the comparisons fly (Dusty Springfield has emerged as the favourite), it's time to discover her for yourself.
Duffy was born and spent her childhood years in the north Wales coastal community of Nefyn, a place too remote to be driven by style wars or opposing music factions (the nearest record counter was a bus ride away and only stocked the Top 40). The upbringing she describes is one in which everyone had to rub along together, making do and mending, accepting each other and their tastes without prejudice.
Having no CD collection of her own, her first real musical memory is of walking into the kitchen unannounced to find her mother and stepfather dancing to Rod Stewart. The first steps she took towards defining her own personal identity came when she borrowed one of her dad's VHS tapes of the `60s TV show `Ready, Steady, Go!'. "It had The Beatles, the Stones, the Walker Brothers, Sandie Shaw and Millie singing `My Boy Lollipop'. So sexy and exciting! I played it again and again until finally it disintegrated." Says former Suede guitarist and record producer Bernard Butler of this artlessness, "Duffy managed to grow up without any concept of what was cool or current, what she should or shouldn't like, how to behave or even how to sing. For her, coming to London at all was the stuff of fairytales."
"And to come here to write songs with some random bloke who'd been recommended to her, me? It meant taking two buses and then two trains and took all day. Then she'd do the same in reverse to get home, playing the music she'd just made to old ladies she encountered on the journey. It's hard for cynical music industry types to get their heads around just how far removed she was from our world, geographically and in every other way. But what you've got as a result is someone who acts and sings completely and unselfconsciously from the heart. That's a rare and magical thing."
Butler was introduced to Duffy by Rough Trade's Jeannette Lee who,in August 2004 and after hearing demos recorded in this or that mate's home, became the singer's mentor and manager. For Duffy, to have not just a friend but also point of both safety and reference in the strange new world she found herself in was crucial to her own musical development and sense of self.
"People keep saying to me, `You've made a great record' but I can't take that in because I didn't do it on my own. Jeannette and I made `Rockferry' together and she's been with me every step of the way, broadening my horizons, introducing me to people I can trust." Butler was just one of them: having written the glorious, chorus-free, utterly hypnotic `Rockferry' together at the beginning of the project, they then worked on a further three of the ten tracks on what is already being talked about as 2008's most important debut release. Jimmy Hogarth & Steve Booker are the other collaborators on this classic-in-waiting.
What can you expect to hear? The title track and album opener, as atmospheric, slow-building and idiosyncratic song as you could hope for, leads into a collection of original material that some might call retro in feel (those Dusty flavours, that girl group vibe) but which Duffy herself prefers to identify as classic. You'll find arrangements as sparsely effective as those against which Dionne Warwick told her Bacharach & David-wrought tales of heartbreak in the early 1960s. You'll find lush choruses and swooning hooks (as perfected by the late Miss Springfield and various distinguished others). But this is far from pastiche.
What you'll find instead is irrefutable evidence of a significant new talent, and one that has developed in splendid isolation, not in reaction to market forces or the input of focus groups and industry experts. Duffy is the real, unspoiled original deal. "People keep asking me where my voice comes from and the fact is I don't know," says the brightest new star of 2008. "Why are your eyes the colour they are? It's no answer at all but it's the only one I have." Duffy Photos Rockferry, the Welsh singer's lovingly constructed debut album, has already succeeded beyond expectations, and although Duffy may not quite be the ingénue portrayed by a clever press campaign (she nearly won a local television talent show a few years back while a single credited to Aimee Duffy is still available on iTunes) she is surely the most appealing of the current flood of young soul sirens. The astonishing title track, co-written by Bernard Butler, sounded like a lost transmission that had taken decades to get through as soon as it hit radio last year. But the gently rolling soul ballad "Stepping Stone", that strapping, inescapable monster hit "Mercy", the ice cool "Serious" (the one time she really does channel the spirit of Dusty Springfield) and the wistful, elegant "Warwick Avenue" are similarly effective. Suggestions by some that Rockferry is little more than sixties pastiche are churlish. Butler's previous work with David McAlmont (featured here as a backing singer) showed his skill at writing and arranging the dramatic, while her other collaborators such as Steve Booker and the team of Jimmy Hogarth and Eg White are hardly lightweights. But despite some wonderful orchestral settings, it's Duffy's terrific voice that makes this so satisfying, even overpowering Butler's exquisitely underplayed guitar work on "Rockferry" itself. Growling the blues on "Syrup & Honey" or belting it out over his lovingly arranged wall of sound on "Distant Dreamer", she sets the tone throughout, several of her songs dealing with escape, both physical and romantic. The sound of someone singing herself to stardom, Rockferry is at times genuinely amazing. --Steve Jelbert |
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Modern Guilt
Release Date: 2008-07-08
Sales rank: 16
Beck's new album Modern Guilt, produced with Brian "Danger Mouse" Burton, will be released July 8, 2008.
The new album contains 10 new songs, and with the exception of last year's Grammy-nominated, digital-only single "Timebomb", Modern Guilt is the first new material Beck has written since the prolific stretch that produced 2005's platinum Guero and 2006's universally acclaimed The Information.
Modern Guilt is a tightly assembled group of songs that range in lyrical tone from introspection and social commentary to off the cuff wordplay and lighthearted humor. Musically, the album's ten tracks vacillate between economy and experimentation, hybrid and pop classicism, while consistently manifesting Beck and Danger Mouse's shared interest in psych-rock, folk, electronic minimalism and orchestration.
Beck is about to embark on a tour of the UK and Europe, followed by a number of US headline and festival appearances, culminating in Beck's biggest hometown headline show to date, September 20, 2008 at the Hollywood Bowl. Beck Photos |
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Little Honey
Release Date: 2008-10-14
Sales rank: 252
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Death Magnetic
Release Date: 2008-09-12
Sales rank: 6
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Camp Rock
Release Date: 2008-06-17
Sales rank: 19
More than anything, Mitchie wants to spend her summer at a prestigious rock camp in order to pursue her dream of becoming a singer. Mitchie thinks her prayers are answered when her mother gets them jobs at the camp as cooks. Upon arriving at camp, Mitchie discovers the competition among the campers is tough both in the classroom, and for the attention of Shane - a teen pop star, and this summer's celebrity teacher. Shane (Joe Jonas)- who is seeking inspiration for his own music - overhears Mitchie singing, but never sees her face. Haunted by her unique sound, he sets off to find the girl behind the beautiful voice as she confronts her fears and learns to step into the spotlight. Walt Disney Records proudly presents the SOUNDTRACK to the HOTTEST DISNEY CHANNEL MOVIE OF THE YEAR! Featuring musical superstars, JONAS BROTHERS plus a whole new cast of musical talent that's sure to be the SUMMER'S BIGGEST HIT! |
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U2 Deluxe Edition Box Set [Amazon.com Exclusive]
Release Date: 2008-07-29
Sales rank: 38
This limited edition collectible U2 Deluxe Edition boxset is handsomely constructed in a sturdy hardbound shell, measuring 5 3/4" (width) x 2 3/4" (spine width) x 5 7/16" (tall) and comes with the newly remastered and expanded 2 CD deluxe editions of the bands first three albums BOY, OCTOBER and WAR, plus room for a fourth (not included). Re-mastered from the original audio tapes, each deluxe includes a disc of b-sides, live tracks and rarities, and the packaging on all three titles has been restored and expanded, with new liner notes for each record, previously unseen photos and full lyrics. This set also comes with a limited edition, exclusive 18'x24' full color replica poster from the bands beginnings, recreated just for this boxset. |
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O'Reilly Street
Release Date: 2008-09-16
Sales rank: 13139
Sir James Galway, revered as one of the world's greatest flute players, and the two-time Grammy®-nominated Cuban music group, Tiempo Libre, offer an exuberant Afro-Cuban take on music from the Claude Bolling Jazz Suites as well as a number of vibrant new compositions. The album, named after a bustling street in Old Havana honoring the military contributions of an Irish General, marks a new cultural intersection uniting classical, jazz and Cuban music. |
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Best of Both Worlds Concert: The 3-D Movie
Release Date: 2008-08-19
Sales rank: 16
The sold-out concert event that rocked the nation is bursting onto Disney DVD for a limited time only in a two-disc extended edition with a 3-D concert experience so real it's like having a backstage pass! "Make Some Noise" and get ready for the year's most eye-popping dance-in-your-seat music experience with HANNAH MONTANA & MILEY CYRUS BEST OF BOTH WORLDS CONCERT MOVIE! For the first time ever Miley performs as herself and Hannah in the same epic show! With a special appearance by the Jonas Brothers and exclusive bonus features including a sing-along mode additional songs and a rare inside look into the rock star lives of Miley Cyrus and the Jonas Brothers this movie sensation is "as close as you'll come to achieving the best of both worlds" (Elizabeth Weitzman New York Daily News).System Requirements:Running Time: 90 minutesFormat: DVD MOVIE Genre: CHILDREN/FAMILY UPC: 786936767179 Manufacturer No: 05763200The Hannah Montana & Miley Cyrus: Best of Both Worlds live concert was a sold-out sensation everywhere it played, and this concert video is the next best thing to being there for all the fans that couldn't get tickets to attend the concert in person. The movie opens with Miley Cyrus backstage in make-up and hair, warming up with vocal exercises, then cuts to Hannah Montana (her alter ego)'s performance of "Rock Star," and then back in time to four weeks before her performance when concert rehearsals were just beginning. It runs like a backstage special feature for a while, following Hannah Montana through coaching, choreography scenes with Kenny Ortega, and rehearsal sessions. Then it's back to concert footage from opening night in St. Louis and all along the tour, seasoned here and there with some fun looks at the concerts' special effects, quick costume changes, other logistical challenges (Hannah gets dropped during a routine early in the tour), and lots of shots of the enthusiastic, mostly female 'tween audiences. The 3D format gives the audience a nice sense of being there and includes some effective, if somewhat overused shots of the crowd waving, Hannah/Miley reaching out to the audience, and fun stunts like the drummer's twirling stick thrown high in the air and the guitar player's pick being tossed out into the audience. The sound is adequate, but fails to replicate the live concert experience (the plus side is that the audience's ears won't be ringing for hours after the performance). Hannah Montana's performance includes "Rock Star," "Life's What You Make It," "Just Like You," "Nobody's Perfect," and "We Got the Party." The Jonas Brothers perform "When You Look Me In the Eyes" and "Year 3000," and then Miley hits the stage with "Start All Over," "I Got Nerve," "I Miss You" (which Miley wrote in honor of her Granddad's passing), "Going Away," "GNO: Girl's Night Out," and "The Best of Both Worlds." This 3D concert presentation truly is the "best of both worlds," a 3D concert experience with easy availability and minimal expense. Better yet is the message that girls can do anything they want if they put their minds and hearts to it. (Ages 7 and older) --Tami Horiuchi |
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Skin Deep
Release Date: 2008-07-22
Sales rank: 25
Skin Deep is the 2008 release by Buddy Guy. The album features The Memphis Horns, Willie Mitchell,Derek Trucks, Susan Tedeschi, Eric Clapton, Robert Randolph and Quinn Sullivan. |
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