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Consolers Of The Lonely
Release Date: 2008-03-25
Sales rank: 195
Consolers Of The Lonely follows The
Raconteurs 2006 debut album Broken
Boy Soldiers, which went Top 10, was
Grammy® nominated for Best Rock
Album, and spun off a #1 Modern Rock hit. Led by singer-songwriter-guitarists Jack White of The White Stripes and Brendan Benson, The Raconteurs
relocated to Nashville and moved to
Warner Bros. Fascinating, engaging, and rocking, Consolers Of The Lonely
fulfills the promise of the teaming of
two masters of power pop. |
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Santogold
Release Date: 2008-04-29
Sales rank: 147
"The future of music, today" - Rolling Stone 10 Artists To Watch. "Singing in a haunting, sensual wail...she adds a layer of softness to an unusual mix of synthesizers, dance hall rhythms, and percolating new wave" - NY Times. "Future-pop princess...next big thing" - Spin. "Santi White is Santogold...the collaborators and players may change, the sounds may shift, but at the center is one woman's indelible vision" - The Fader. SXSW / Coachella shows, 2007 tours with Bjork, M.I.A., songs featured in Entourage, Grey's Anatomy, Grand Theft Auto.Don't call Santi White an R&B artist: on her debut album Santogold, this former music biz A&R and pop songwriter for hire is challenging race stereotypes and playing fast and loose with genre, mashing up dub, punk, and electronics to make an energetic, anger-fuelled music that blurs the lines between the dancefloor and the moshpit. Comparisons to MIA hold some water, especially on the bullish "Creator" (it's worth noting that Santogold features production turns from sometime MIA collaborators Diplo and Switch). For the most part, though, Santogold's debut follows a quite different path. "L.E.S Artists" is stirring new-wave pop that builds to grand, tearful choruses reminiscent of the Yeah Yeah Yeahs, while "You'll Find a Way" and "Say Aha" are propulsive ska-pop numbers that hark back to its creator's previous band, Bad Brains-influenced punks Stiffed. But it's not just skilful genre-skipping to recommend this record, though: White is the rare vocalist that can sound empowered and vulnerable within the space of the same song, and it's her force of character that places Santogold ahead of the pack. --Louis Pattison |
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Because of the Times
Release Date: 2007-04-03
Sales rank: 356
Third album from the rockin' American quartet whose previous albums (2003's Youth And Young Manhood and Aha Shake Heartbreak from '05) have earned them a large worldwide following. Consisting of three brothers and a cousin, the Kings Of Leon mix their own brand of Southern Rock with touches of Garage, Punk and Alternative swagger. RCA.Aha Shake Heartbreak may have blown open the doors of fame for Kings of Leon, but their third full-length album (named for a United Pentecostal Church ministers' conference) could well usher the Nashville foursome directly to rock and roll's zenith. There's hardly a change in plans for the three Followill brothers and their cousin, and that means producer Ethan Johns, a smorgasbord of musical influences, and a cacophonous ensemble of guitar, bass, and drums. A trio of relentless rockers--"My Party," "Camaro," and the sarcastic "Charmer"--are sure to pacify those familiar with the Kings' blueprint, yet there is ripening in the band's approach heard, in several of the record's 13 songs. Reverb guitar and vocals and a "woo woo" chorus add a sinister aspect to "Trunk," and "Knocked Up" features a laissez-faire Caleb Followill crooning "She don't care what her mama said/She's gonna have my baby." The seven-minute revelation of fatherhood that opens the album leads into the U2-influenced "McFearless," a reggae-splashed "Ragoo," and the rambling English blues of "Black Thumbnail." It's a rogue element that has always left every record fresh, and this time it has Kings of Leon teetering on the edge of rock renown. --Scott Holter |
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Attack and Release
Release Date: 2008-04-01
Sales rank: 767
Limited Edition pressing of their 2008 album comes in double fold digipak packaging. On Attack and Release, Danger Mouse is more creative co- conspirator than traditional figure behind the boards. He doesn’t radically alter the duo ’s sound so much as coax out more of its inherent soulfulness, groove and bittersweet emotion. Two versions of 'Remember When' illustrate how the duo can swing easily from smoldering ballad to thrashing rocker. 'I’ m more pleased with the sound of this record than any one we’v e ever made,' says Carney, and Auerbach concurs: 'We never let it all go l ike we did for this one, anything was game. It was just fun to make, and that’s why I t hink it’s so successful.' V2.Of all the two-piece rock bands (Dresden Dolls, The White Stripes, The Kills, John & Jehn) out there making a royal racket, The Black Keys are by far the least affected by the last three decades of popular music, and evolution. Even more so than Jack & Meg. Which makes you check the album credits twice and then seek a second opinion--produced by celebrated uber-producer, superstar DJ and one half of Gnarls Barkley, the ubiquitous and really quite modern Danger Mouse?! No, your eyes do not deceive you, but thankfully neither do your ears. He may have brought a discipline and expensive sheen to Attack & Release, the riffing is buffed up real good, but this is essentially the same band that continues to live less of a life and more a Jimi Hendrix Experience. If there is a change it's that for the first time their foot is teased off the accelerator, with "Lies", "Remember When (Side A)" and "Oceans & Streams" loosening their shoulders and playing a more chilled brand of dusty sunset southern blues, adding in keys and new layers of texture (is that really a flute on "Same Old Thing"?!). There's still plenty of chance, on the massive Zeppelin-esque "Strange Times" and "Remember When (Side B)" for instance, to leave a boot mark though. More release than attack this time around, but the key still fits. --James Berry |
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Dig!!! Lazarus Dig!!!
Release Date: 2008-04-08
Sales rank: 1127
Last seen under the gleeful guise of 2007's Grinderman, a no-nonsense rock 'n' roll excuse to head down to the basement and shout, now Nick Cave returns to his full time Bad Seeds co-conspirators for this release. "Grinderman was deliberately spare and the concepts were pretty simple," explains Cave. "With 'Dig, Lazarus, Dig!!!' we allowed ourselves to get expansive." It picks up where Grinderman left off, filled with Stoogified electric guitar, driving beats, and Cave's literate, seductive, and firmly tongue-in-cheek lyrics.Dig!!! Lazarus Dig!!! finds Nick Cave back at the helm of his long-term band The Bad Seeds after some impressive soundtrack work--2005's The Assassination of Jesse James--and a busman's holiday in the raw, rocking Grinderman. As the title suggests, Lazarus finds Cave returning to familiar themes of God and redemption, although some of the raw poise and wild-eyed humour that resurfaced in Grinderman remains: take the opening title track, which retells the Biblical story of the resurrection of Lazarus as transposed onto the sleazy, poverty-stricken backdrop of modern-day New York City. Musically, the likes of "Moonland" and "Night of the Lotus Eaters" have a swampy feel, all skittering drums, simmering bass and smoky organ riffs; elsewhere, there are rockers that tie on dissonant guitars without losing their dissonant touch ("Lie Down Here"). Probably the album highlight comes with "We Call Upon the Author", a sprawling, "Sister Ray"-like chugger that shows off Cave's skill for magnificent, sung-shouted narratives: "Now mixamatoid kids roam the streets, we've shunned them from the greasy grind/The poor little things, they look so sad and old as they mount us from behind". --Louis Pattison |
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The Future Is Unwritten
Release Date: 2008-07-08
Sales rank: 2949
As the frontman of The Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In acclaimed filmmaker Julien Temple's 'The Future Is Unwritten', Joe Strummer is revealed not just as a legend or a musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship that developed during the last years of Joe Strummer's life, Julien Temple's film is a celebration of Joe Strummer--before, during, and after The Clash.Julien Temple, one of the early documentarians of the London punk scene and director of the 2000 Sex Pistols film The Filth and the Fury, turns his attention now to that other seminal British band: The Clash--or more accurately, to the band's co-founder, lyricist, rhythm guitarist and lead singer, Joe Strummer. The Future is Unwritten is more than just a biography of Strummer; it is a tribute and exploration of a musician, artist and devoted humanist. Though Temple respects and admires Strummer (his influence is exalted by close friends, peers and fans like Bono and John Cusack), he doesn't romanticize this larger-than-life personality and presents Strummer honestly and not always in flattering light, though the director's fondness for his subject is constant. Most movingly, Strummer himself provides the narration via reassembled excerpts from a variety of interviews and the BBC radio show he hosted during the nineties. In the wrong hands, this could be contrived, but in this masterful documentary it serves as a testament to not just Joe Strummer the myth, but Joe Strummer the man, telling us his story in vivid detail. The Future is Unwritten is a moving and personal portrait of a musician who helped shaped not just punk, but modern music as a whole. --Kira Canny |
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Aha Shake Heartbreak
Release Date: 2005-02-22
Sales rank: 1071
Limited edition 2004 album from Kings Of Leon featuring the first single 'The Bucket'. Hand Me Down. Having released a debut album that you can safely say was well received (the NME described it as, 'one of the best debut albums of the last ten years'), Kings Of Leon have their work cut out to produce a suitable follow-up. Thankfully their sophomore effort, the strangely titled ‘A-Ha Shake Heartbreak’, is more than a match for its illustrious predecessor. Fast paced, lyrically shocking and, rather surprisingly, with added yodelling, ‘A Ha Shake Heartbreak’, is a shoe-in for one of the best albums of 2004.Nomadic Southern evangelist Leon Followill may take soap suds to the mouths of the kinfolk wunderkinds--his three sons and a nephew--in Tennessee quartet Kings of Leon, whose second album spins enough cuss phrases and sexual allusions to leave Dolly Parton flushed. But the peculiar 20-something longhairs also fuel up on a filthy shotgun bass and relentless guitar riffs, complementing the delightfully discordant drawl of vocalist Caleb Followill to whittle a 35-minute grab bag of garage rock, English blues, sixties psychedelia, London Calling-ska, spaced-out country waltzes and front-porch, red-state revelry. Without revising its 2003 debut Youth & Young Manhood, producer Ethan Johns (The Jayhawks, Ray LaMontagne) steers the band down a similar mischievous road, integrating poles-apart rhythms and techniques into an energized jumble of rotating tempos and lyrical bombshells. Putting faith in earth-shakers like "Velvet Snow" and "Pistol Of Fire," the wound down and pleasing "Milk" and its yodeling cousin "Day Old Blues," the Kings ultimately escape Preacher Leon’s retribution, rendering him speechless--save for a simple "amen." --Scott Holter |
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Kinks (The Ultimate Collection)
Release Date: 2002-06-03
Sales rank: 826
Arguably the finest and most expansive Kinks collection on the market! The first disc of this double-disc begins with their third single and first No. 1, the insistent 'You Really Got Me', then races through the glory years with the absurdly infectious likes of 'Sunny Afternoon', 'Waterloo Sunset', 'Lola' and 'Apeman'. Dave's two hits are included, too, and the disc ends with 'Come Dancing' and other selections from The Kinks' early-80s comeback. Disc Two includes songs that were hits for others ('David Watts' and 'Stop Your Sobbing'), various B-sides and other rarities, including 'God's Children', from the soundtrack of Percy, a movie about a fellow seeking the original owner of his recently transplanted penis. The Ultimate Collection is an excellent addition to the Kinks's cannon. 44 tracks in all spread over two discs. Sanctuary. 2007 |
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Icky Thump
Release Date: 2007-06-19
Sales rank: 909
The White Stripes are back with the most bombastic album they've ever produced! While revealing the band's roots in American folk music, Icky Thump is an explosive, revolutionary assault that brings together garage rock, every blues style of the past 100 years, nouveau, and flamenco. This is truly a modern rock and roll masterpiece! The White Stripes Photos More from the White Stripes 
Elephant | 
White Blood Cells | 
The White Stripes | 
Get Behind Me Satan | 
De Stijl | 
Walking With A Ghost + 4 Live Tracks | 
The Document | 
Candy Coloured Blues | 
Rhinoceros | Bagpipes, a song written as the soundtrack to a Michel Gondry music video, Patti Page's musical shadow, and Jack and Meg co-narrating a scavenger's rummages: It must be time for Icky Thump, the many-flavored riposte to 2006's Get Behind Me Satan. The duo starts big with the title track--Jack's fast-tumbling, falsetto-tinged lyrics jagging on hyper keyboard-sounding segues and Meg's pounding drums. They rarely shy from an idea, invoking acoustic Bob Dylan to frame "300 M.P.H. Torrential Outpour Blues," but interjecting a series of distortion-laden guitar paroxysms for good measure. The end of Icky, on "Effect and Cause," is where Jack's trademark vocal warble and spare, quick acoustic strums meet Meg's single-minded beats. Everywhere on Icky giant riffs leap and shout, with Flamenco horns and those eerie bagpipes and rhythmic shifts and Jack's impatient vocal kinetics, marking new territories even as the White Stripes again populate them with vintage ideas. --Andrew Bartlett
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Broken Boy Soldiers
Release Date: 2008-07-01
Sales rank: 960
The Raconteurs are a new band made up of old friends, consisting of Jack Lawrence (bass), Patrick Keeler (drums), Brendan Benson (guitars, vocals, keys) and Jack White(guitars, vocals, keys). The seed was sewn in an attic in the middle of a hot summer when friends Jack White and Brendan Benson got together and wrote a song that truly inspired them. This song was "Steady, As She Goes" and the inspiration led to the creation of a full band with the addition of Lawrence and Keeler. While each of these four individuals have had successful careers with their own bands, the culmination of all of their talents is what truly makes The Raconteurs a force to be reckoned with.Smothered by the indulgence of his rock star ranking, Jack White steps into the eccentricities of the supergroup, and at first glance, this seems to be a band where White's imposing presence could overshadow the rest. Not the case with these Raconteurs. Teaming with fellow Detroit songwriter Brendan Benson and Jack Lawrence and Patrick Keeler, the rhythm section from Cincinnati band the Greenhornes, White exhales a bit, deferring enough to his mates to make Broken Boy Soldiers play like a team effort. Following the Benson blueprint, "Steady as She Goes," which opens as a slice of 1960's radio pop, the record steers away from pigeonholing the rest of the way. White's in a Middle Eastern mood for the title track as he pulls off a wicked Robert Plant howl, while Lawrence and Keeler excel on the chorus-strong "Intimate Secretary" and the optimistic acoustic rocker "Yellow Sun." Like so many all-star bands before them, The Raconteurs could be one and done. But don't place the blame on this fertile and genuine debut. --Scott Holter Leading up to The Raconteurs...
The Alternative to Love
Brendan Benson | 
Get Behind Me Satan
The White Stripes | 
Sewed Soles
The Greenhornes | 
The Greenhornes
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One Mississippi/Wellfed Boy
Brendan Benson | 
De Stijl
The White Stripes | |
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