Browse by Catagory:
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Jersey Boys (2005 Original Broadway Cast Recording)
Release Date: 2005-11-01
Sales rank: 76
Recounting the rich history and reliving the timeless sounds of the phenomenal Frankie Vallie & The 4 Seasons, the new Broadway musical Jersey Boys answers the musical-and philosophical question, "How did four would-be wise guys from Newark, NJ, become one of the greatest chart-topping successes in pop music history?" Jersey Boys celebrates legendary Rock and Roll Hall of Famers Frankie Valli, Bob Gaudio, Tommy DeVito, and Nick Massi who, as the 4 seasons, wrote their own songs, invented their own identity, and sold 175 million records worldwide-all before they were 30. Although it squarely falls in the "jukebox musical" category, Jersey Boys doesn¹t try to integrate its songs in an artificial plotline. The show tells the story of the early-1960s group the Four Seasons, and the musical numbers tend to be introduced in context, as when songwriter Bob Gaudio comes up with a tune, or the quartet performs a show. This allows Jersey Boys to flow better than some of ill-fated peers, and the actors can shine without having to bend backward to accommodate an inane book. The show's most (only) daring move is to start with a hip-hop-tinged French-language version of "December 1963 (Oh, What a Night)," an actual hit in France in 2000. After that it's all VH1-biopic territory, but it's done with so much flair, taste and energy that the ride's a fun one. The Four Seasons had enough hits ("Sherry," "Big Girls Don't Cry," "Rag Doll," etc.) to easily fill an evening at the theater, so it's left to the cast to do right by them. And it does, particularly John Lloyd Young as the band¹s star lead, Frankie Valli. Young hits all the falsetto notes and brings real freshness to the part. His "Can¹t Take My Eyes Off You," a second-act peak, is signed, sealed and delivered with a star's acumen. --Elisabeth Vincentelli |
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Juno
Release Date: 2008-01-08
Sales rank: 148
Fox Searchlight Picture’s December 2007 coming-of-age comedy Juno, directed by Jason Reitman (Thank You For Smoking). The narrative centers on whip-smart Juno (Ellen Page, in a breakthrough role), a teenage girl faced with an unplanned pregnancy from an afternoon with the charmingly unassuming Bleeker (Michael Cera). Juno finds her unborn baby the perfect set of parents in Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), an affluent suburban couple who are eager to adopt. Along with the total support of her parents, (Allison Janney and J.K. Simmons) Juno conquers her problems head-on, displaying a youthful exuberance that is both smart and unexpected. The film was an official selection at this year’s Telluride, Toronto, and London film festivals and received the Best Film award at the Rome International Film Festival. The soundtrack to Juno mixes classic rock favorites with indie-rock gems. More from Juno soundtrack Director Jason Reitman's warm, compassionate comedy about an unanticipated teen pregnancy was not only a dark horse Oscar® nominee for Best Picture, but saw this soundtrack CD top the charts just two weeks after its release. It's a collection wherein quirky, generation-spanning folk and rock choices are rooted in something more rewarding than mere eclecticism for its own sake--namely the sense of unlikely, hopeful humanity that Kimya Dawson's core songs bring to its slightly askew axis. Dawson's spotlight performances here range from a handful of decidedly twee solo cuts, to the album's key "Anyone Else But You," (her 2001 duet with Adam Green released under the Moldy Peaches moniker,) and a couple more upbeat oddballs by the singer's more recent Antsy Pants project. That effusively innocent musical core is augmented with a pair of eminently sympathetic tracks from Scottish twee-pop magnates Belle and Sebastian, then seasoned with a mix of catalog tracks that spans eras from Buddy Holly to Sonic Youth--utilizing styles as diverse as the Kinks, Mott the Hoople, and Velvet Underground--that nonetheless manage to bolster the film's tender emotions with a graceful, (if skewed,) charm that's hard to resist. --Jerry McCulley |
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Very Best of Frankie Valli and the Four Seasons
Release Date: 2003-01-14
Sales rank: 124
2002 compilation packs a single CD with 20 classics recorded for Vee-Jay, Phillips, Curb/Warner, Private Stock, & RSO between 1962-1978. Remastered from original master tapes. Rhino. |
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The Very Best of Peter, Paul & Mary
Release Date: 2005-08-23
Sales rank: 181
One of the most enduring acts in American music, Peter Paul And Mary both defined and transcended the 1960s folk revival. The trio's passionate commitment to peace and social justice made them the conscience of an era as they soulfully communicated political concerns through music in an unprecedented way. At the same time that they reached millions with their social message, they acheived phenomenal mass popularity. |
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The Very Best of Prince
Release Date: 2001-07-31
Sales rank: 310
Taken literally, this album's title is sure to cause endless arguments. Nothing from Dirty Mind, not a trace of the early anthem "Controversy," no "Erotic City"--no non-LP cuts at all, save some edited single versions--and a cold shoulder to the criminally out-of-print Gold Experience. Damn. As a compendium of 17 key A-sides from 1979 to 1992, however, The Very Best of Prince is (ahem) a quick-'n'-dirty review of the days when the Artist was, in the estimation of R.E.M. guitarist Peter Buck, one of the weirdest musicians in the Top 10. Blessed with both creative cunning and the wish to reach every listener possible, Prince revitalized rock and soul modes from the sex-crazed ("Little Red Corvette") to the cryptically spiritual ("Purple Rain"). Often he blurred lines between attitudes as surely as he did musical ones; the New Testament image of "Thieves in the Temple" became in his hands a complaint about a stolen girlfriend. Though a fine party artifact, this disc is still likely to prove too scanty even for many casual Prince fans. --Rickey Wright |
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Still Unforgettable (Amazon Exclusive Bonus Track)
Release Date: 2008-09-09
Sales rank: 188
17 Years After The Multi-Platinum Album "Unforgettable...With Love", The Eight-time Grammy® Winning Singer prepares to release her follow-Up album 'Still Unforgettable' on 29th September with substantial UK promotion to coincide with the release. This much anticipated release is a timeless collection of popular tracks from the great American songbook, transformed to life with Natalie's beautiful vocal and iridescent flair. Natalie has had an amazing string of hits throughout the years including 'This Will Be (An Everlasting Love)', 'Miss You Like Crazy' and 'Pink Cadillac', achieving Grammy success eight times over. 1991 saw the release of 'Unforgettable' featuring her own poignant arrangements of her Father the legendary Nat King Cole's greatest hits. The album went on to sell over 14 million copies worldwide. Recorded at the historical Capital Studios in LA and produced by Natalie herself, the album features classics 'Walkin' My Baby Back Home' a duet with Nat King Cole, 'Come Rain or Come Shine', 'Here's That Rainy Day' and 'But Beautiful'. Pre-ceding the album release, is the lead track from the album 'Walkin' My Baby Back Home' - a wonderful duet with her late father Nat King Cole, which was first released by him in the 1950's - available digitally from 29th July. A brand new video for this song and an EPK is being created for TV promotion. |
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The Immaculate Collection
Release Date: 1990-12-08
Sales rank: 229
The naughtily titled Immaculate Collection culls 15 of Madonna's Top 10 singles from 1984 to mid-'90, plus 2 new ones that continued the run (the dirty, trunk-bumping funk of "Justify My Love"--a Lenny Kravitz production that justifies his entire career--and the danceable desperation of "Rescue Me"). Rooted in disco and classic AM pop from girl groups and ABBA to Strawberry Alarm Clock, Madonna made savvy, touching music throughout her first golden era. These tracks retain their sonic and historical significance while, like "She Loves You" or "Rocket Man," still brightening any space they're being played in. Far more than just a wise, irreverent image-maker--like the Beatles or Elton, come to think of it--Madonna during these years was the gift that kept on giving, forever fresh, sexy, hooky, and joyously sharp. --Rickey Wright |
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Crossroads: Eric Clapton Guitar Festival 2007
Release Date: 2007-11-20
Sales rank: 876
The second Crossroads Guitar Festival a day-long concert featuring legendary music and collaborations was held on July 28 2007 to benefit the Crossroads Centre in Antigua. Filmed in HD Rhino has captured the event for release on 2-disc DVD thefollow-up to 2004 s Crossroads Guitar Festival DVD that has been certified 8X platinum.The Festival showcased a wide range of styles Rock Blues and Country Featuring Eric Clapton Jeff Beck Robert Cray Sheryl Crow Vince Gill Buddy Guy B.B. King Los Lobos John Mayer Willie Nelson Robert Randolph Robbie Robertson Derek Trucks Jimmie Vaughan Johnny Winter Steve Winwood and more.Highlights included Clapton regrouping with Blind Faith band mate Steve Winwood a virtuosic instrumental set from Jeff Beck Vince Gill performing along with Sheryl Crow and Willie Nelson Robbie Robertson s rare concert appearance John Mayer s bluesy set Clapton s own set featuring Derek & The Dominos material plus a tribute to George Harrison with a performance of his It s A Pity and Buddy Guy closing the show in his hometown with an all-star jam on Sweet Home Chicago. Since its inception Clapton s vision for the Crossroads Guitar Festival has been to create an event where his friends andcontemporaries can have fun and jam together for the benefit of a good cause. The Crossroads Festival is the realization of a dream for me to gather a group of amazingly talented musicians to perform on one stage said Clapton. The Crossroadsperformers are all musicians I admire and respect. Royalties from the sale of this DVD will benefit Crossroads Centre AntiguaFormat: DVD AUDIO Genre: MUSIC DVD/CONCERTS UPC: 603497987764 Manufacturer No: 352124A lot of good (and some great) music for a worthy cause takes center stage once again as Eric Clapton hosts the second edition of his Crossroads Guitar Festival, a benefit for his Crossroads Centre rehab facility in Antigua and a near embarrassment of six-string riches occupying two discs. Staged in suburban Chicago in July, 2007, it features several of the same players who were at the first concert (2004, in Dallas), including Robert Cray, Buddy Guy, B.B. King, John Mayer, Vince Gill, John McLaughlin, and Robert Randolph. They're all in fine form, but it's those appearing for the first time who make the biggest impressions. Derek Trucks, who performs on his own, with his wife (Susan Tedeschi, herself an excellent blues guitarist), and backing several other artists (including a frighteningly decrepit-looking Johnny Winter), is a strikingly versatile young player. On the other end of the generational spectrum, the veteran Albert Lee spins out a series of stupefyingly swift licks on "Country Boy," while Jeff Beck is, well, Jeff Beck, at age 63 still inarguably one of the most original musicians to ever strap on a Stratocaster. While most of the others are content to play straight blues or blues-derived rock, Beck sounds as if he's riding a spaceship with strings, wringing sounds out of his instrument that defy understanding, let alone imitation; backed by ace drummer Vinnie Colaiuta and 22-year-old Tal Wilkenfeld, who may be the most exciting electric bassist to emerge since Jaco Pastorius, Beck delivers versions of "'Cause We've Ended as Lovers" and "Big Block" that are the highlights of the show. Elsewhere, Clapton, as is his wont, rises to the occasion in the presence of his peers and plays with considerable passion, even if his "reunion" with Steve Winwood lacks fire (mostly due to the lackluster nature of their Blind Faith-era material, other than the lovely "Can't Find My Way Home"). In the end, one might wish for more good songs, as opposed to opportunities for extended soloing, but even diehard axe-heads will surely be satiated after some four hours of hot licks. As for everyone else, well, that's why God invented the fast forward button. --Sam Graham |
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The Best of James Taylor
Release Date: 2003-04-08
Sales rank: 272
20 of his greatest singles and most popular album tracks released on Apple, Warner Bros. and Columbia/Sony. Slipcase. 2003. Any good singer can interpret a song, but it takes a stylist to make it his own. James Taylor is a stylist. This 20-track anthology obviously can't chronicle much more than the hits and high points of Taylor's career, but it nonetheless captures the artistic essence of a performer who's become a virtual synonym for "singer-songwriter" since his emergence in the late '60s. A lot of ink has been spilled ruminating about Taylor's role in soothing a '60s-burned generation, but given his own well-known demons (depression, addiction) his gentle voice often sounds like the physician wisely healing himself. His muse seems fully formed from the opening "Something in the Way She Moves," a track cut for the Beatles' Apple label in late ‘68 (and one that seems to share some symbiotic relationship with George Harrison's own classic "Something" from the period), its tone at once familiar and inviting--if ripe for a few decades of parody--as it wends its way from his seminal early '70s hits through a slate of later originals, R&B ("How Sweet It Is," "Handy Man") and pop ("Up On the Roof") covers. Tellingly, he delivers those chestnuts with an offhand confidence and illumination that makes them his own, a sense that informs even his jazz and Brazilian ("Only a Dream a Rio") flirtations. The set's newly recorded bonus cut, John Sheldon's "Bittersweet," is a pleasant pop confection that showcases Taylor's knack for being laconic and upbeat in the same breath. --Jerry McCulley |
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The Best of Randy Newman
Release Date: 2001-09-18
Sales rank: 651
The songwriting genius' multi-label highlights on one CD! The first of its kind, this unique collection gathers 21 tracks released between 1968 and 1999, including Newman's greatest hits, album cuts, and soundtrack classics. |
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