Browse by Catagory:
|
Eagles - The Very Best Of
Release Date: 2007-12-04
Sales rank: 72
|
|
Little Honey
Release Date: 2008-10-14
Sales rank: 252
|
|
Life Death Love and Freedom
Release Date: 2008-07-15
Sales rank: 34
The man who has been called `the poet laureate of the interstate' has reached deep into his soul, bringing forth an album of unparalleled maturity powered by a piercing musical vision. Produced by T Bone Burnett ("O' Brother Where Art Thou," Robert Plant, Allison Krauss) Two disc package includes CD and high quality audio DVD. |
|
Raising Sand
Release Date: 2007-10-23
Sales rank: 35
The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution.
Supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Riley Baugus, Plant and Krauss -- as both solo and harmony vocalists -- tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes Van Zandt, The Everly Broth! ers, and Mel Tillis. Raising Sand finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary.
The song "Killing the Blues" is featured in the new JC Penney American Living Campaign.Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of "Whole Lotta Love," but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own "Please Read the Letter," Mel Tillis's "Stick with Me, Baby"). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of "Rich Woman," the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for. --Alanna Nash |
|
Comme Si de Rien N'Etait
Release Date: 2008-08-05
Sales rank: 73
14-track CD album - Carla Bruni has always had a certain poetry. A definite je ne sai quoi. The grace, style & beauty of this Italian-born, France-raised thirty-something is legendary; her intellect & vitality striking, even formidable. Now as the first lady of France, Carla Bruni is one of the most photographed women of the world but she doesn't want this to affect people's perception of her or her music. She wants the music to speak for itself and here it does. |
|
This Is The Life
Release Date: 2008-08-19
Sales rank: 26
Amy MacDonald is that proverbial old head on young shoulders, a Scottish singer-songwriter who, despite her tender 19 years, writes songs with the grace, wisdom, and proficiency of one with a score more on the clock. As influenced by the Libertines as by any venerable old folk hand, the eleven songs on This Is the Life combine a traditional, acoustic folk-rock sound with a youthful spirit and self-assured lyrics that veer between the observational and the confessional. "Poison Prince" is a jagged guitar strut dedicated to some Doherty-like bad boy, a song every bit as pathos-laden as the Libertines at their doomed, romantic best with a closing treatise to find "An upbeat song/So we can dance the night away," while "Mr. Rock & Roll" begins as a wryly withering jibe at some perennial party animals, but by the chorus has softened into a subtle, touching tale of human coupling. MacDonald's age doesn't seem to have been an impediment--"Youth of Today," reportedly written when she was 15, is one of the better tracks here, while "Footballer's Wife" is a clear-headed attack on vapid Barbie-doll celebrity that suggests this girl is very much on the right track. "Rolling Stone, here I come, watch out everyone/I'm singing my song," she sings on "Let's Start a Band." Let that be a warning to you. --Louis Pattison Amy MacDonald Photos |
|
Coco
Release Date: 2007-07-17
Sales rank: 49
Singer/songwriter Colbie Caillat is one of the most celebrated artists to emerge from the growing talent pool of digitally-savvy self-launched artists, whose rise to prominence as the #1 unsigned artist on the popular myspace site has been largely due to her refreshing sense of understatement. With no marketing push and only the power of the music behind her, Caillat became a sensation on the social networking site. Rolling Stone highlighted her as one of the top female artists on myspace. Ultimately, her number of friends swelled to more than 100,000. Her profile has been visited over 3 million times, and she has more than l0 million plays. She's currently averaging 50,000 + a day. The songs on Caillat's debut album COCO mirror the Malibu-born Caillat's low-key, refreshing style. Armed with her acoustic guitar and her dusky vocals, she evokes the same gentle, yet spirited style of her musical influences John Mayer, Bob Marley, Lauryn Hill and The Weepies. The laid-back tempo of Hawaii, where she spent twice annual family vacations, is echoed in the music. "She's the real thing," stated Monte Lipman, President of Universal Republic Records. "From her unique songwriting skills to her powerful but understated presence, Colbie has connected to millions of music lovers simply through the power of her music. Even without MySpace, singer/songwriter Colbie Caillat is sure to have found an audience, but her oft-accessed page accelerated the process, mostly on the strength of the effervescent "Bubbly." On her first full-length album, the California native conjures up clear skies and warm breezes. Not that the lyrics revolve around her stomping grounds of Malibu and Ventura County, but her mellow melodies sound like products of those places (co-writer Jason Reeves' ukulele playing reinforces the beach music impression). Instead, Caillat sings about love in all its guises, as on "Capri," a tribute to a mother-to-be. The daughter of audio engineer Ken Caillat (Fleetwood Mac's Rumours), who provides production assistance, Colbie combines acoustic pop, light jazz, and blue-eyed soul on Coco. Despite her young age--22 at the time of its release--the record seems likely to attract an older audience, although her sunny singing manages to sound centered and spirited at the same time. Coco doesn't offer anything startlingly new, but its relaxing vibe is hard to resist. --Kathleen C. Fennessy |
|
Keep It Simple
Release Date: 2008-04-01
Sales rank: 75
On April 1st, Lost Highway will proudly release Keep It Simple, the new album from Van Morrison. Keep It Simple is Morrison's first album of new material since 2005, and the first in several years in which he composed all 11 songs specifically for one album.
In the interim the legendary artist had a year that may be unprecedented for any living artist, having released three separate collections of his hits, with the latest, Still On Top entering the UK charts at #2 and selling platinum, proving the ongoing appetite for his unrivalled work.
His music has always incorporated the widely varied influences he heard and absorbed since his childhood days on the streets of Belfast- long before the bands of his youth and his initial breakthrough with the band he started early on- called "Them."
On Keep It Simple, Morrison honors all those varied influences - Ulster-Scots Celtic, Jazz, Folk, Blues, Country, Soul and Gospel - and an added surprise of a mighty Ukelele -most times melding them all together at once creating his unmistakable signature sound.
In some of these songs Morrison addresses the propaganda of the myth perpetrating rock music world. There is a definite theme that recurs throughout the album, especially in the title track.
In keeping with that idea, Keep It Simple does not boast the big horns or expected string arrangements of some of Morrison's previous work. What it does feature are gorgeous songs rich with emotion, depth and beauty.Those familiar with Van Morrison’s ever mercurial muse could hardly have been surprised when he turned up on the artistically centered, avant-country label Lost Highway to pay tribute to a era-spanning slate of country icons on the Nashville imprint's ‘06 collection, Pay the Devil. But while the ensuing years were dominated by several rich anthologies of Morrison’s work, he’s returned here to masterfully show his love of country was no passing fancy. As the title suggests, Morrison’s self-produced approach to the genre is both musically and emotionally elemental, a no frills approach that fits him like a well-worn pair of Tony Llamas. Indeed, even as he’s addressing matters of musical style and substance in an unusually introspective way on "That’s Entertainment" and "Soul," the veteran’s singing here is so natural and deceptively effortless as to disguise how forcefully Morrison has immersed himself in the country mold – or, more to the point, remade it lovingly in his own image, also marking the first time in several years he’s penned all the songs on one of his albums. Whether offering a little tutelage about the vagaries of fate on "School of Hard Knocks," taking W.C. Handy’s "St. Louis Blues" as the starting point for the slow-burning, Hammond B3-seeped country blues lament "Don’t Go to Nightclubs Anymore," or preaching the backroads Zen gospel of the title track and Banjo-seasoned elegy "Song of Home," Morrison’s warm, world-weary voice connects with themes that are as familiar as sunshine – and every bit as fundamentally complicated. --Jerry McCulley |
|
Nine Lives
Release Date: 2008-04-29
Sales rank: 126
Nine Lives expands on all the many phases and turns of Steve Winwood's lustrous career, bristling with his pure joy of music-making. The new songs range from the inspiring "Fly" to the burning "Dirty City" (featuring a guest appearance by long-time friend Eric Clapton) to the simmering "Hungry Man", joining a canon that spans more than forty years to include some of the most beloved songs of modern pop and rock. |
|
Music for the Motion Picture Into the Wild
Release Date: 2007-09-18
Sales rank: 99
track listing and sequence subject to changeTaking a break from his day job fronting rock heavyweight Pearl Jam, Eddie Vedder immerses himself into the big-screen story of a young man who gives all his money to charity and hitchhikes to a new life--and his eventual death--in the wilds of Alaska. Prompted by the film's creator, Sean Penn, to contribute to the musical score, the Seattle musician tackled the entire project, playing every instrument on the soundtrack's nine original and two cover songs. Vedder contemplates the traveler "setting forth in the universe" in the opener "Setting Forth," then tracks in the remaining songs the realizations and disillusionments that follow. A wish comes true in banjo-plucked "No Ceiling" to "up and disappear," while affluence is questioned on the hard-rocking "Far Behind," with Vedder singing, "Empty pockets will/Allow a greater sense of wealth." No song in the album's first half exceeds two-and-a-half minutes, remedied by Vedder's pertinent five-minute stamp on the remake of Indio's "Hard Sun," complete with eerie backing vocals by Sleater-Kinney's Corin Tucker. The songwriter puts wealth on the hot seat in "Society," questioning, "If less is more/How you keepin' score?" The darkly sung folk song bookends the reticent declaration "Guaranteed," wonderfully delivered and quietly strummed, in which the prodigal Vedder wraps the journey in one line: "Leave it to me as I find a way to be/Consider me a satellite forever orbiting." (The record is packaged like a hardcover book, with vivid photography and lyrics.) --Scott Holter |
|
|
|
