Browse by Catagory:
|
Sgt. Pepper's Lonely Hearts Club Band
Sales rank: 65
\NBefore Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman |
|
The Beatles 1
Release Date: 2000-11-14
Sales rank: 71
No Description Available
No Track Information Available
Media Type: CD
Artist: BEATLES
Title: BEATLES 1
Street Release Date: 11/14/2000
Domestic
Genre: ROCK/POP Proving yet again their willingness to dice 'n' slice their burgeoning legacy into new--if not exactly fresh--product, the Fab Four Minus One have released this single-disc compendium of their No. 1 hits. Though obviously superfluous to the faithful (who may also find themselves quibbling over the precise definition of "No. 1 hit" and the exclusion of seeming contenders like "Please Please Me" and "Strawberry Fields"), newly arrived visitors from the Pleiades star cluster and other neophytes will find it a concise and generous (nearly 80 minutes) single-disc introduction to the band's career-spanning, unparalleled dominance of pop music in the 1960s. But beyond being a mere trophy case of commercial success (and it won't be hard to find critics who'll argue that these singles aren't even the band's best work), it's also a Cliff's Notes take on a remarkable seven-year run of musical evolution, one that stretches from the neo-skiffle of "Love Me Do" through a remarkable synthesis of R&B, rockabilly, Tin Pan Alley, gospel, country, and classical that still defies efforts to effectively deconstruct it. This is the pop monument equivalent of the '27 Yankees and '90s Bulls; it's every bit as obvious and dominating--and just as essential. --Jerry McCulley |
|
Rubber Soul
Release Date: 1990-10-25
Sales rank: 61
No Description Available
No Track Information Available
Media Type: CD
Artist: BEATLES
Title: RUBBER SOUL (BRITISH)
Street Release Date: 08/09/1988
Domestic
Genre: ROCK/POPRank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." --Don Harrison |
|
Revolver [UK]
Release Date: 1990-10-25
Sales rank: 127
Japanese exclusive reissue of 1966 album. This Toshiba/EMI pressing features an OBI strip (different from the last Japanese pressings issued in 1990) & an insert with Japanese text & lyrics in Japanese & English. Manufactured & pressed in Japan. This album has been direct metal mastered from a digitally remastered original tape to give the best possible sound quality. 2004.Revolver wouldn't remain the Beatles' most ambitious LP for long, but many fans--including this one--remember it as their best. An object lesson in fitting great songwriting into experimental production and genre play, this is also a record whose influence extends far beyond mere they-was-the-greatest cheerleading. Putting McCartney's more traditionally melodic "Here, There and Everywhere" and "For No One" alongside Lennon's direct-hit sneering ("Dr. Robert") and dreamscapes ("I'm Only Sleeping," "Tomorrow Never Knows") and Harrison's peaking wit ("Taxman") was as conceptually brilliant as anything Sgt. Pepper attempted, and more subtly fulfilling. A must. --Rickey Wright |
|
Love
Release Date: 2006-11-21
Sales rank: 163
Japanese pressing of the standard version of the album. Apple. 2006.It begins with a twittering of birdsong lifted from "Across the Universe." And once the triple-tracked a capella harmonies of "Because" enter, followed by snatches from "A Hard Day's Night" and "The End," leading into a fired-up "Get Back," it becomes obvious that this is far more than just another Beatles compilation. This is Love, conceived by the Fabs' former producer George Martin and son Giles as a stageshow soundtrack to Cirque de Soleil's Las Vegas spectacular of the same name, but appears to have taken on a life of its own. Whereas the Beatles' last release, 1, delivered the (over?) familiar hits in a nice, simple package, Love is a mélange of the familiar and obscure, all literally mixed together in one 78-minute audio collage which succeeds in reminding the listener just why the Beatles truly are, as Lennon put it, "toppermost of the poppermost." There's no new Beatles material per se, but the songs are all approached differently--some are cut together in a flawlessly mixed medley (check out "Being for the Benefit of Mr. Kite!/I Want You/Helter Skelter"), some reassemble different backing tracks and vocal performances to create new spins on old classics; but all the songs are revitalized considerably. Even in its weakest moments (which probably work better in the context of the show itself), Love is still a formidable prospect, and one has to admire Martin's willingness to go out on a limb with such a project. While purists may complain that the cut 'n' paste nature of the project is simply tampering with perfection, at the very least it'll make them reach for the originals and enjoy them all over again. For newcomers and everyone else, it makes a fine listen, both in its sonic clarity (the actual tracks are the best they've sounded on CD) and audacious nature. --Thom Allott More from the Fab Four
The Capitol Albums, Vol. 2 | 
Revolver | 
Sgt. Pepper's Lonely Hearts Club Band | 
Anthology 1 | 
Anthology 2 | 
Anthology 3 | |
|
The Who: The Ultimate Collection
Release Date: 2002-06-11
Sales rank: 171
\NThe Who's mighty catalog of beautiful, poignant, and often silly pop songs bashed out with Cassius Clay finesse has suffered in the past at the hands of multiple, butcher-shop best-ofs and horrible packaging. But this thrilling band--undeniably one of ye classicke rocke's greatest--gets the career-spanning entry-point compilation it deserves with the double-disc Ultimate Collection. The songs included here are no-brainers, for the most part--if they aren't huge hits like "My Generation," "I Can See for Miles," or "Baba O'Riley," they're long-standing fan favorites such as "Boris the Spider," "Pure and Easy," and "Squeeze Box." And while this reviewer wishes different songs were chosen from Tommy, and more than one tune was gathered from their arguably finest (and definitely silliest) album, The Who Sell Out, this record really isn't for fans (aside from the total trainspotter types) but for newcomers. --Mike McGonigal |
|
Magical Mystery Tour
Release Date: 1990-10-25
Sales rank: 245
Japanese exclusive reissue of 1967 album. This Toshiba/EMI pressing features an OBI strip (different from the last Japanese pressings issued in 1990) & an insert with Japanese text & lyrics in Japanese & English. Manufactured & pressed in Japan. This album has been direct metal mastered from a digitally remastered original tape to give the best possible sound quality. Gatefold sleeve. 2003.The album feels even more like a collection of singles (instead of an actual movie soundtrack) than Help! or A Hard Day's Night, but maybe that's because every song sounds like it could have been a hit single--with the natural exception of the goofy/weird instrumental "Flying." Even George's "Blue Jay Way" paints a vivid sound-portrait in fascinating detail. (I consider Joni Mitchell's "Car on the Hill" from Court and Spark to be a companion piece about sitting in the Hollywood Hills, waiting for somebody to show up.) And although the goofy TV movie may have been mostly Paul's baby, this album features the two 45 rpm masterpieces that sum up the quintessential best of Lennon and McCartney at this stage of their development: Paul's "Penny Lane" and John's "I Am the Walrus." --Jim Emerson |
|
Let It Be
Release Date: 1990-10-25
Sales rank: 295
Sloppy in conception, and even sometimes in the playing, Let It Be often gets a bad rap. Unfairly, as it's often as charming, well written, and (oh yeah) rocking as the Beatles' "better" albums; it's also more outright fun than Abbey Road, the masterpiece it followed into the stores. With Lennon and McCartney working together on the perfect "I've Got a Feeling," "Two of Us," and "Dig a Pony," it's hard to believe these guys were about to implode. --Rickey Wright |
|
A Hard Day's Night
Release Date: 1990-10-25
Sales rank: 388
A Hard Day's Night was the first Beatles album of all-original material, and the first to feature George Harrison playing his Rickenbacker electric 12-string guitar (on the opening chord of "A Hard Day's Night," for instance). The distinctive sound of the 12-string inspired countless guitarists including Roger McGuinn and David Crosby of the Byrds. The film from which these songs hail remains a classic combination of happy 1960s naivete and nascent hipster wit. Many of the most important rock bands to emerge in the latter half of the '60s came into being because of A Hard Day's Night's irresistible vibrancy. The tunes flow like the finest red wine, as the title track leads to the glorious harmonica of "I Should Have Known Better" and the powerfully poignant "If I Fell." EMI. 2005.Strummmmm! That dramatic guitar chord that kicks of A Hard Day's Night (album, song, movie) still jumps right out at you, slaps you in the face, and jump-starts your heart. And you know what? Both the music and the film are still as crisp and lively as they were in 1964. Of course, only the first seven songs are actually in the movie (and they are the strongest of the bunch, from the rousing rock & roll of the title track and the hit single "Can't Buy Me Love," to the beautiful ballads "If I Fell" and "And I Love Her"). But nobody's going to complain about having songs like "I'll Cry Instead" and "Things We Said Today" in the second half of the record; they sure don't feel like leftovers. Yet another high-point for John, Paul, George, and Ringo--four fab fellows who hit the highest heights imaginable. --Jim Emerson |
|
Help!
Release Date: 2007-11-06
Sales rank: 1086
The Beatles followed up their debut film A HARD DAY'S NIGHT with this fanciful spy spoof. When Ringo adds a new ring to his collection he's unaware of how important and dangerous this piece of jewelry is. On one hand a religious cult considers it a sacred object and the wearer must become a sacrifice to their gods. On the other hand the ring has magical abilities that hold the key to supreme power. Soon the boys from Liverpool are engaged in a slapstick and madcap chase round the world as a crazed scientist a pack of crooks and several religious fanatics set out to capture the band. Watch for the English Channel swimmer who seems to be perpetually lost and appears in nearly every location. Includes Beatles' hits including "Help!" "Ticket To Ride" "You've Got To Hide Your Love Away" and many more.System Requirements:Running Time: 153 minutesFormat: DVD MOVIE Genre: COMEDY/SHOWBIZ Rating: G UPC: 5099951034795 Manufacturer No: C9DW-10347After the worldwide success of A Hard Day's Night, the Beatles and director Richard Lester reunited for a follow-up film, Eight Arms to Hold You. Well, that wasn't the final title; a pleading Lennon-McCartney tune provided the catchier handle: Help! A loose semispoof of the globe-trotting James Bond pictures, Help! has always been considered a somewhat disorganized comedown from its predecessor; but it presents "the famous Beatles" even more clearly as the English cousins of the Marx Brothers. The plot has an Eastern religious cult declaring that the new ring on Ringo's finger is the key element in a human sacrifice; they will stop at nothing to obtain it. Meanwhile, a mad scientist (crazed Victor Spinetti, who also appeared in A Hard Day's Night and Magical Mystery Tour) believes that if he has the ring, he could--dare we say it?--rule the world. The songs, including "Ticket to Ride" and "You've Got to Hide Your Love Away," are filmed with gleeful ingenuity, in locations such as the Bahamas, an Austrian ski resort, and the Salisbury Plain. The relentless nonsense becomes nearly the equivalent of a swinging-'60s Alice in Wonderland: for instance, Paul shrinks to the size of a gum wrapper, John fishes a season ticket out of his soup, George wears a top hat on the ski slopes, the lads sing the "Ode to Joy" to a lion. Oh, and the film is dedicated to Elias Howe, "who in 1846 invented the sewing machine." Brilliant. --Robert Horton |
|
|
|