Browse by Catagory:
|
Fearless
Release Date: 2008-11-11
Sales rank: 32
Fearless is the 2008 sophomore album from Taylor Swift, the young Country singer/songwriter who charmed the hearts and charts of America beginning with her debut single 'Tim McGraw'. Her triple-platinum self-titled debut release has scanned over 3.4 million units and spent more weeks at #1 than any other Country album this year: 24 weeks! Taylor is the only Country female artist to have five Top 10 singles from a debut album and the only Country female vocalist this decade to reach the Top 5 on Billboard's Hot 100 Chart. Needless to say, she's a sensation that has only just begun to show what she is capable of. 13 tracks including the single 'Love Story' and 'Change', first heard during the 2008 Summer Olympics. --This text refers to the Audio CD edition. |
|
The Crow: New Songs for the Five-String Banjo
Release Date: 2009-05-19
Sales rank: 48
Comedian, actor, author, and banjo player Steve Martin releases his first musical recording since 1978's number 1 hit "King Tut." This is no novelty record though. It's some of the best banjo music to come down the pike in a long time. The Crow features able assistance from some of Steve's pals, including Dolly Parton, Vince Gill, Earl Scruggs, Bela Fleck, Tim O'Brien and Mary Black. Martin wrote or co-wrote all of the songs on this album, creating a new body of work that will stand alongside the classics for years to come. |
|
American Saturday Night
Release Date: 2009-06-30
Sales rank: 21
2009 album from the Country superstar. A Grammy-winning instrumentalist and the reigning, three-time ACM and two-time CMA Male Vocalist winner with 13 career #1 singles to his credit, Paisley has amassed album sales in excess of 10 million units, including his two times platinum 2005 ACM and CMA Album of the Year, Time Well Wasted. American Saturday Night features the hit single 'Then,' produced by Frank Rogers. |
|
Greatest Hits II
Release Date: 2009-05-19
Sales rank: 60
2009 collection from the Country music great, his second collection of hits, featuring 15 tracks including the brand new single 'Out Last Night' (only available on this collection!). Since his debut album 15 years ago, Chesney has managed to shift 25 million units and consistently plays live to over one million fans every year. Not bad for a seemingly average-guy from Knoxville, TN! |
|
Hannah Montana: The Movie
Release Date: 2009-03-24
Sales rank: 55
The amazing soundtrack to the feature film Hannah Montana The Movie is here and loaded with music from today's biggest artists...including 14 brand new songs by Miley Cyrus, Hannah Montana, Billy Ray Cyrus, Taylor Swift and Rascal Flatts. This soundtrack is without question the best of both worlds as it features hit tracks like "The Climb" from Miley Cyrus plus new songs from Hannah Montana. |
|
Townes
Release Date: 2009-05-12
Sales rank: 80
Steve Earle is set to release Townes, his highly anticipated follow up to the Grammy Award winning album Washington Square Serenade. The 15-song set is comprised of songs written by Earle s friend and mentor, the late singer-songwriter, Townes Van Zandt. Townes will also be available as a deluxe two-CD set, as well as double Limited Edition 180 gram vinyl.
The album was produced by Earle at his home in Greenwich Village, at Sound Emporium and Room and Board in Nashville, TN and The Nest in Hollywood, CA. The track Lungs, was produced and mixed by the Dust Brothers John King and features Tom Morello of Rage Against the Machine/The Nightwatchman on electric guitar. Earle s wife, the acclaimed singer-songwriter Allison Moorer, is featured on backing vocals on Loretta and To Live Is To Fly. Three songs cut in Nashville, White Freightliner Blues, Delta Momma Blues, and Don t Take It Too Bad feature a bluegrass band consisting of Dennis Crouch, Tim O Brien, Darrel Scott and Shad Cobb.
Earle met Townes Van Zandt in 1972 at one of Earle s performances at The Old Quarter in Houston, TX. Van Zandt was in the audience and playfully heckled Earle throughout the performance to play the song Wabash Cannonball Earle admitted that he didn t know how to play the tune and Van Zandt replied incredibly You call yourself a folksinger and you don t know Wabash Cannonball? Earle then silenced him by playing the Van Zandt song Mr. Mudd and Mr. Gold, not an easy feat due to its quickly-paced mouthful of lyrics squeezed into just over two minutes of song. Their bond was immediately formed. On Townes, Earle and his son, singer-songwriter Justin Townes Earle (named after Van Zandt) trade verses on the tune, a song the two of them have been playing together since Justin was a teenager.
The songs selected for Townes were the ones that meant the most to Earle and the ones he personally connected to (not including selections featured on previous Earle albums). Some of the selections chosen were songs that Earle has played his entire career ( Pancho and Lefty, Lungs, White Freightliner Blues ) and others he had to learn specifically for recording. He learned the song (Quicksilver Daydreams of) Maria directly from Van Zandt, and taught himself Marie and Rake specifically for the album s recording. Once a song he played during his live show, Earle relearned Colorado Girl in the original Open D tuning that Van Zandt played it in. Earle recorded the New York sessions solo and then added the other instruments later on in order to preserve the spirit of Van Zandt s original solo performances to the best of his recollection. |
|
Raising Sand
Release Date: 2007-10-23
Sales rank: 61
The musical collaboration of the decade, Raising Sand is the sound of two iconic figures stepping out of their respective comfort zones and letting their instincts lead them across a brave new sonic landscape. Despite hailing from distinctly different backgrounds, Alison Krauss and Robert Plant share a maverick spirit and willingness to extend the boundaries of their respective genres. This spirit, expertly honed by producer T Bone Burnett, has resulted in an album pitched three steps beyond some cosmic collision of early urban blues, spacious West Texas country, and the untapped potential of the folk-rock revolution.
Supported by the unparalleled musicianship of Marc Ribot, Dennis Crouch, Mike Seeger, Jay Bellerose, Norman Blake, Greg Leisz, Patrick Warren, and Riley Baugus, Plant and Krauss -- as both solo and harmony vocalists -- tackle an intriguing selection of songs from such tunesmiths as Tom Waits, Gene Clark, Sam Phillips, Townes Van Zandt, The Everly Broth! ers, and Mel Tillis. Raising Sand finds Robert Plant and Alison Krauss exploring popular music's elemental roots while still sounding effortlessly, breath-takingly contemporary.
The song "Killing the Blues" is featured in the new JC Penney American Living Campaign.Perhaps only the fantasy duo of King Kong and Bambi could be a more bizarre pairing than Robert Plant and Alison Krauss. Yet on Raising Sand, their haunting and brilliant collaboration, the Led Zeppelin screamer and Nashville's most hypnotic song whisperer seem made for each other. This, however, is not the howling Plant of "Whole Lotta Love," but a far more precise and softer singer than even the one who emerged with Dreamland (2002). No matter that Plant seems so subdued as to be on downers, for that's one of the keys to this most improbable meeting of musical galaxies--almost all of it seems slowed down, out of time, otherworldly, and at times downright David Lynch-ian, the product of an altered consciousness. Yet probably the main reason it all works so well is the choice of producer T Bone Burnette, the third star of the album, who culled mostly lesser-known material from some of the great writers of blues, country, folk, gospel, and R&B, including Tom Waits, Townes Van Zandt, Milt Campbell, the Everly Brothers, Sam Phillips, and A.D. and Rosa Lee Watson. At times, Burnette's spare and deliberate soundscape--incisively crafted by guitarists Marc Ribot and Norman Blake, bassist Dennis Crouch, drummer Jay Bellerose, and multi-instrumentalist Mike Seeger, among others--is nearly as dreamy and subterranean as Daniel Lanois's work with Emmylou Harris (Wrecking Ball). Occasionally, Burnette opts for a fairly straightforward production while still reworking the original song (Plant's own "Please Read the Letter," Mel Tillis's "Stick with Me, Baby"). But much of the new flesh on these old bones is oddly unsettling, if not nightmarish. On the opening track of "Rich Woman," the soft-as-clouds vocals strike an optimistic mood, while the instrumental backing--loose snare, ominous bass line, and insinuating electric guitar lines--create a spooky, sinister undertow. Plant and Krauss trade out the solo and harmony vocals, and while they both venture into new waters here (Krauss as a mainstream blues mama, Plant as a gospel singer and honkytonker), she steals the show in Sam Phillips' new "Sister Rosetta Goes Before Us," where a dramatic violin and tremulous banjo strike a foreboding gypsy tone. When Krauss begins this strange, seductive song in a voice so ethereal that angels will take note, you may stop breathing. That, among other reasons, makes Raising Sand an album to die for. --Alanna Nash |
|
Learn To Live
Release Date: 2008-09-16
Sales rank: 45
As the front man of Hootie & The Blowfish, Darius Rucker has already experienced success - earning 2 Grammy awards and selling over 25 million albums worldwide. Now, embracing his country roots and a music he has always wanted to make, Darius is attracting the attention of country fans who are discovering his voice for the first time, and rewarding Hootie fans with new music featuring one of the most unique voices across any genre of music. Featuring his debut country single, "Don't Think I Don't Think About It", Learn to Live features 12 undeniable country hits and a voice that is unarguably Darius Rucker. "I have always written country songs...for me, this is really just part of the natural evolution of my career. I plan to be doing this for a long time. This isn't a one album deal - it's a career thing," explains Rucker.As the lead singer and co-writer for Hootie & the Blowfish, Darius Rucker always eschewed overt R & B, and fixed the band’s music in roots rock. Now on this solo album, Learn to Live, he immerses himself in the typical Nashville themes of home, hearth, and spirituality, with varying results. His sturdy baritone knows how to carry these messages, and he displays an ease with country phrasing. Furthermore, he's assembled a fine passel of pickers, from mainstream guests Vince Gill, Alison Krauss and Brad Paisley, to 'grassers Aubrey Haynie and Bryan Sutton. All this works fine on the radio—the album and the single "Don't Think I Don't Think About It," which logged the number one slot on the country charts. But while Rucker pays fine homage to Buck Owens with the intro to the humorous divorce declaration "All I Want," and nurtures his inner redneck on the barroom anthem "Drinkin' and Dialin'," too many clichés weave their way into his lyrics, and the overall sound is that of amiable, cookie-cutter, country pop. Next time out, let’s hope Rucker reaches farther back into his South Carolina roots for a more authentic backwoods connection. -– Alanna Nash |
|
The Foundation
Release Date: 2008-11-18
Sales rank: 81
Playing upwards of 200 dates a year, more than 2,500 shows in their career and selling more than 20,000 CDs independently, Zac Brown Band has only begun its ascent. The band's aggressive touring has helped it develop a fanatical grassroots following by winning over believers one person at a time. Driven by awe-inspiring musicianship, skillful songwriting and a dynamic live show that inspires word-of-mouth buzz, Zac Brown Band is already embraced by audiences who sing along with every word. |
|
Lady Antebellum
Release Date: 2008-04-15
Sales rank: 96
There has been a buzz in Music City since mid-2006 when Lady Antebellum performed together for the very first time. The trio- comprised of Hillary Scott (vocals), Charles Kelley (vocals), and Dave Haywood (vocals, acoustic guitar, keys)- says their name, "Lady Antebellum," represents a sense of nostalgia found in the songs they sing. "It felt like magic," says Hillary, remembering their first performance together, "We all felt more comfortable onstage together than we ever had alone." A year and a half later, the buzz on Lady Antebellum is as strong as it's ever been, and the rest of the nation will soon discover why. Hillary, Charles, and Dave, three young songwriter-musicians with varied influences and backgrounds, create a sound that is fresh and unique, yet still sounds like something you've known for a long time. The debut single, "Love Don't Live Here," is only the beginning for Lady Antebellum. The "Lady A" buzz is coming...April 15! |
|
|
|