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Cyclo
Release Date: 2004-02-03
Sales rank: 36690
In the heart of Ho Chi Minh City, a young cyclo (pedicab driver) transports anonymous passengers through the teeming streets, trying to eke out a meager living for his two sisters and elderly grandfather. When his bicycle is stolen by a local gang, he descends into the gruesome underbelly of this corrupt and violent city. Seduced by easy money, the Cyclo is swept deeper into the crime ring lead by the quietly charismatic Poet (Tony Leung of CHUNGKING EXPRESS and BULLET IN THE HEAD). Unbeknown to the Cyclo, his older sister (the exquisite star of THE SCENT OF GREEN PAPAYA) has also been mesmerized by the brooding Poet and turns to prostitution to please him. Director Tran Anh Hung, whose brilliant debut THE SCENT OF GREEN PAPAYA established him as a master visualist, fuses the neorealist style of THE BICYCLE THIEF with the kinetic energy of TAXI DRIVER in this gritty tale of innocence lost in the urban jungle of Vietnam.The city was once named Saigon; it is now called Ho Chi Minh City, and in this powerful second feature by Vietnamese director Tran Anh Hung (The Scent of Green Papaya) it looks like a lost circle of hell. Cyclo is a survey of a society in decay, in which conventional plotting gives way to a series of enigmatic episodes and haunting observations. There are two main characters: Cyclo (Le Van Loc) is a poor urban teenager who scratches out a living operating a bicycle taxi in the murderous city traffic; the Poet (Hong Kong star Tony Leung) is the son of an upper-class family who has depressively drifted into pimping and fencing--wartime rackets still thriving in the new Vietnam. Images of appalling violence are played against backgrounds of banal, everyday bustle--a buzzing flow of meaningless, insectlike activity. Hung's vision may be dispiritingly bleak, but his filmmaking is vivid and inventive. Each shot is distinguished by a particular quality of lighting, framing, or texture that lifts it out of the ordinary and into the realm of the strange, ravishing, and insinuating. --Dave Kehr |
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The Vertical Ray of the Sun
Release Date: 2001-12-18
Sales rank: 26682
The lush, super-chic ambience of Tran Anh Hung's third feature, The Vertical Ray of the Sun, presents a beckoning, irresistible vision of Vietnam. The film opens with a sexy brother and sister waking up to the sound of Lou Reed's laconic voice on the stereo. They stretch, practice tai chi, meander toward a late breakfast, and playfully flirt with each other. This morning ritual--slightly disturbing but mostly alluring--recurs as a quietly resistant motif to the disappointment that awaits each character introduced. Shot on location in an impossibly hued Hanoi (lime green and chartreuse abound), the film trails after three beautiful sisters during the month that separates the anniversaries of the deaths of their mother and father. Attempting to protect the ideal memory of their parents' recently assailed love, the sisters recount kindnesses and joke with each other just as the serene charm of the café they run is to be overturned by an unexpected pregnancy and marital infidelities. Tran's lustrous style of collage is unique, pulling the viewer's attention away from imminent conflict and revelation to completely tactile and isolated moments. As with the titular subject of Velvet Underground's "Pale Blue Eyes," the sensual tension lingers on. --Fionn Meade |
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Buffalo Boy
Release Date: 2006-03-21
Sales rank: 50150
A beautifully shot feature from director Nguyen-Vo Nghiem-Minh, BUFFALO BOY is a powerful and nuanced coming-of-age story about 15 year old Kim (Le The Lu), the son of a poor family struggling in 1940's Vietnam. Set in Cà-Mau, the last frontier at the southern tip of Vietnam where the low land meets the sea, the people survive by following the cycles of the flooding and dry seasons. Every rainy season, lasting about six months, water covers the entire land and the farmers must take the buffalo on a long journey to the mountains in search of food. When Kim is sent by his ailing father to find grass for their two starving buffalo, he takes up with a rough and dangerous band of buffalo herders. On the journey, he discovers an adult world of brawls, alcohol, and pillaging-- one that, over time, gives way to friendship, love and the joy of freedom.
Inspired by the classic short story collection, 'Scent of the Cà-Mau Forest' by Son Nam, one of the Vietnam's most distinguished writers and a native of Cà-Mau, BUFFALO BOY is a journey of self-discovery that also gives witness to the exhausting cycles of life under colonialism's poverty. |
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The Scent of Green Papaya
Release Date: 2001-12-18
Sales rank: 70227
"Watching it is like seeing a poem for the eyes." That's how Chicago Sun-Times critic Roger Ebert described this exquisite, Oscar-nominated, French-Vietnamese film from 1993, which begins in the 1950s and ends more than a decade later during the early years of the Vietnam war. The story is set almost entirely in a Saigon house where a 10-year-old orphan girl named Mui arrives to work as a servant. As she grows into a beautiful young woman, Mui is quietly and carefully observant of everything around her, from the scent of green papaya (hence the title) to the relationship between her employers. The film takes its visual cues from Mui's observations--it's a placid, soothing film that lingers over the physical and emotional details of its setting and story. What's really astonishing about this beautiful film is that director Anh Tran Hung shot it entirely on a soundstage in Paris, but the sights and sounds are so completely convincing that you'd swear the setting is an actual home in Saigon. This remarkable craftsmanship remains invisible to the viewer, and the seductive progression of the story unfolds with exacting visual precision. It's a film about Mui's growth and development, but also about her benevolent effect on the world around her. As such, it's a movie to savor like no other, life affirming and glorious in the memorable depth of its captivating simplicity. --Jeff Shannon |
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