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Four Last Songs
Release Date: 2008-09-16
Sales rank: 297
This is the special, deluxe edition! In addition to the Strauss program, a second disc which highlights Fleming's signature roles at the Metropolitan Opera is included. These extended scenes are drawn from her highly-regarded Decca discography. Renée Fleming, the world's preeminent lyric soprano, is joined by Christian Thielemann, internationally acclaimed for his performances of Strauss works, for this recording of the exquisitely beautiful Four Last Songs. These enduringly popular works have become signature pieces for the soprano and she was delighted for the opportunity to work with the gifted Thielemann. In addition, Fleming performs a selection of lieder with orchestra as well as arias from Ariadne auf Naxos and Die ägyptische Helena.. On September 22, Fleming will open the Met Opera Season with a Gala featuring her in her most acclaimed roles. This one-night-only performance will be broadcast live in HD to movie theaters throughout the US. |
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Pavarotti's Greatest Hits
Release Date: 2007-09-18
Sales rank: 808
Here's a feast of great tenor singing. It's also a feast of thrills--one selection after another offers Pavarotti's remarkable, full-throated excitement in the music, whether the infectious spirit of his renditions of Neapolitan songs or the trumpet-like High C's he effortlessly tears off in the extended scene from Donizetti's La fille du regiment. Apparent throughout is Pavarotti's big-hearted emotional generosity that infuses this superb collection with an immediacy and communicative power that's impossible to resist. Of course, "Nessun dorma!" is here to lead off the set with the tenor's biggest hit, but his other Puccini arias are, if anything, even more compelling. Verdi is represented by such well-loved Pavarotti favorites as "La donna è mobile" and "Questa o quella" from Rigoletto. He's as compelling in the "Ingemisco" from Verdi's Requiem, the voice blooming in the "Inter oves" section and then fined down to a gorgeous pianissimo. But there's not a single weak track on these discs, whose attractions are enhanced by full texts and translations. --Dan Davis Back by popular demand--Pavarotti's Greatest Hits! Celebrate the life and career of Luciano Pavarotti--the world's most famous tenor and King of the High C's! First released as an LP in 1980 and then again in 1985, this is one of Pavarotti's best-selling albums. Instantly recognizable cover features classic photo of Luciano Pavarotti dressed as Pagliaccio from I pagliacci. Chock-full of his all-time greatest hits including Nessun dorma, La donna è mobile, Vesti la giubba, Funiculi Funiculà and more! Reissued in a slim-line jewel box for the first time and at a special "2 for 1" price point. |
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The Most Soothing Lullabies In The Universe
Release Date: 2004-04-06
Sales rank: 929
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Verdi - La Traviata
Release Date: 2007-10-30
Sales rank: 3524
This superb 2006 production of the Los Angeles Opera's La Traviata stars Renée Fleming, who joins the ranks of the elite handful of sopranos whose vocal and acting talents make their portrayals memorable. Her Violetta Valéry is a vulnerable figure torn between self-indulgence and love, sacrificing personal happiness to become a victim of the social mores of mid-19th-century bourgeois France. Fleming's acting captures the complexity of the character and her vocalism is flawless. She negotiates the wild coloratura of Act One with aplomb, and is stunning in the lyric passages that pervade the opera, and touching in her scenes with her lover, Alfredo, and his father. Her singing is free of the mannerisms that have sometimes crept into her work and at the same time she brings countless personal touches to the role, phrasing and verbal emphases that shed fresh light on the character. Fleming is a great Violetta, and this DVD proves it. She's blessed with Rolando Villazón as Alfredo. He brings fiery passion to the role of the impetuous lover, convincing in his anger at what he thinks is her betrayal, and in his regrets in their last-act deathbed reconciliation. His singing is on par with his acting, the voice ringing in climaxes, scaled down to sweet lyricism in the love scenes, husky, almost baritone-like in the more overtly dramatic scenes. As his father, Giorgio Germont, the veteran baritone Renato Bruson tends to mistake stiffness for authority and he's on the dry side vocally, lacking the colors that can make Germont's four-square arias interesting. The smaller parts are capably done and conductor James Conlon leads a thrilling, performance, shaping phrases idiomatically. Stage director Marta Domingo's direction is firmly traditional, with sets and costumes by Giovanni Agostinucci that reflect the period. The first-act party scene in which we are introduced to the characters is imaginatively moved to the terrace of Violetta's house where the greenery, tables, and openness lend a fresh perspective to an opera that grows increasingly darker. By contrast, Flora's party, where Alfredo denounces the hapless Violetta, is draped in the red of demi-monde Paris. The big stage, so useful in the rest of the opera, tends to be too big for the intimate last act. Surely Violetta, down to her last 10 sous, should be in a more humble abode. The opening of this act also finds the only trace of directorial heavy-handedness. We all know the consumptive Violetta dies at the end, but Domingo places Fleming on a bier-like bed during the prelude and introduces a black-clad figure of Death who swoops into the scene. Fortunately, the rest of the act is free of such meaningless indulgences. Bryan Large's video direction is excellent too, always focused where it should be and without the excessive tight close-ups that distract from the singers by showing their tonsils. --Dan DavisOpera superstars Renée Fleming and Rolando Villazón star in the sumptuous 2006 Los Angeles production of Verdi's tragic masterpiece, La Traviata. This performance was the highlight of James Conlon's much-anticipated inaugural season as the music director of Los Angeles Opera, a post that followed his impressive tenure at the Paris National Opera. The lavish production was filmed in Hi-Definition Widescreen to capture all of the excitement and drama on stage. Veteran Verdi baritone Renato Bruson rounds out this dynamic ensemble. Renée Fleming's heart-breaking portrayal of Violetta, as captured on this extraordinary DVD, has earned her rave reviews from press and Rolando Villazón returns to the role that made him an international powerhouse after his critically-acclaimed, soldout performances at the 2005 Salzburg Festival. |
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The Best of the Three Tenors
Release Date: 2002-06-11
Sales rank: 1237
Back in 1990, three of the world's most celebrated tenors--namely, José Carreras, Plácido Domingo, and Luciano Pavarotti--combined forces to create the Three Tenors, now celebrated on a best-of CD. They gave their first concert in Rome. The event was recorded and went on to become one of the best-selling classical titles of all time. This latest release brings together tracks from that night in Rome (including "Nessun dorma" and a competitive rendition of "O sole mio") with music performed in a 1994 concert in Los Angeles and at the 1998 event in Paris where the Three Tenors sang to an audience of thousands with the Eiffel Tower as their backdrop. The 22 tracks making up The Best of the Three Tenors range from operatic standards, such as the joyful "Brindisi" from La Traviata, to popular songs like "Singin' in the Rain" and "You'll Never Walk Alone" (from Carousel). There are no solos on this disc; each piece is performed by all three singers. And with plenty of applause and cheering to be heard, not to mention the sense of fun in the singers' voices, the disc captures the atmosphere of these extraordinary musical events. --Rebecca Agnew |
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Arias By Mozart, Verdi, Berlioz, Gounod & Meyerbeer
Release Date: 2008-09-23
Sales rank: 731
Hailed as the "Brando of opera," Uruguayan bass-baritone Erwin Schrott joins Decca with a deliciously charismatic and seductive debut album. Showcasing some of opera's most famous roles, Schrott demonstrates why audiences and critics around the world continue to cheer at every performance. Acclaimed for his portrayals in the operas of Mozart, Schrott is the first choice at the world's greatest opera houses including the Metropolitan Opera (where he will portray Don Giovanni this fall and winter), La Scala, the Royal Opera House, LA Opera, Washington National Opera and many others. Schrott's debut album perfectly showcases his distinctive, chocolaty voice and his wonderful talents for characterization. Among the included arias are his favorite Mozart roles as well as repertoire from great 19th-century opera composers such as Verdi, Meyerbeer, Berlioz, and Gounod. Schrott has emerged as a leading opera star on the world's greatest stages and will continue to thrill many with his resonant and multi-hued voice. |
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Pavarotti Forever
Release Date: 2007-10-09
Sales rank: 3954
For millions of people all over the world Luciano Pavarotti literally IS classical music. This outstanding collection of popular oprera arias and duets, sacred songs, and Neapolitan favourites is drawn from the finest recordings Luciano Pavarotti has made during an unparalleled career, and presents the definitive profile of one of the most important voices of all time. From "La Donna e mobile", "O sole mio" and "Torna a Sorriento" to Christmas classics "O Holy Night" and "Panis Angelicus", including, of course, his celebrated "Nessun Dorma". Bonus duets with Andrea Bocelli ("Notte e piscatore"), Cecilia Bartoli ("Cherry Duet") and Frank Sinatra ("My Way") included. Universal. 2007. |
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The Very Best of Maria Callas
Release Date: 2002-02-12
Sales rank: 2890
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The #1 Opera Album
Release Date: 2001-02-27
Sales rank: 1225
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin |
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Beethoven's Wig, Vol. 2: More Sing-Along Symphonies
Release Date: 2004-03-16
Sales rank: 2487
From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce |
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