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Pavarotti's Greatest Hits
Release Date: 2007-09-18
Sales rank: 1170
Here's a feast of great tenor singing. It's also a feast of thrills--one selection after another offers Pavarotti's remarkable, full-throated excitement in the music, whether the infectious spirit of his renditions of Neapolitan songs or the trumpet-like High C's he effortlessly tears off in the extended scene from Donizetti's La fille du regiment. Apparent throughout is Pavarotti's big-hearted emotional generosity that infuses this superb collection with an immediacy and communicative power that's impossible to resist. Of course, "Nessun dorma!" is here to lead off the set with the tenor's biggest hit, but his other Puccini arias are, if anything, even more compelling. Verdi is represented by such well-loved Pavarotti favorites as "La donna è mobile" and "Questa o quella" from Rigoletto. He's as compelling in the "Ingemisco" from Verdi's Requiem, the voice blooming in the "Inter oves" section and then fined down to a gorgeous pianissimo. But there's not a single weak track on these discs, whose attractions are enhanced by full texts and translations. --Dan Davis Back by popular demand--Pavarotti's Greatest Hits! Celebrate the life and career of Luciano Pavarotti--the world's most famous tenor and King of the High C's! First released as an LP in 1980 and then again in 1985, this is one of Pavarotti's best-selling albums. Instantly recognizable cover features classic photo of Luciano Pavarotti dressed as Pagliaccio from I pagliacci. Chock-full of his all-time greatest hits including Nessun dorma, La donna è mobile, Vesti la giubba, Funiculi Funiculà and more! Reissued in a slim-line jewel box for the first time and at a special "2 for 1" price point. |
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The #1 Opera Album
Release Date: 2001-02-27
Sales rank: 6929
The labels that are now gathered under the Universal Classics umbrella have a pretty impressive scorecard in the area of classical compilations. We've seen The Greatest Opera Show on Earth, The Yellow Guide: Classical Music, Best of the Millennium, and now there's The No. 1 Opera Album. But that's no surprise, since Universal has some of the finest interpreters in its catalogue to draw from. This two-CD set (at the price of one), for example, brings together the likes of Cecilia Bartoli, Renée Fleming, Luciano Pavarotti, Kiri Te Kanawa, Sir Georg Solti, Herbert von Karajan, and many more. Yet the other key to a successful compilation is canny anthologizing, and here again, you have a nice selection to give you a smattering of opera's heavyweights from the Italian, German, and French repertory (there's even a step outside the standard framework with an aria from Dvorák's lovely Rusalka). Ranging from 1959 to 1997, the choices from back catalogue will doubtless be the entry ticket for many into this grandest of the arts. --Sarah Chin |
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Pavarotti Forever
Release Date: 2007-10-09
Sales rank: 2831
For millions of people all over the world Luciano Pavarotti literally IS classical music. This outstanding collection of popular oprera arias and duets, sacred songs, and Neapolitan favourites is drawn from the finest recordings Luciano Pavarotti has made during an unparalleled career, and presents the definitive profile of one of the most important voices of all time. From "La Donna e mobile", "O sole mio" and "Torna a Sorriento" to Christmas classics "O Holy Night" and "Panis Angelicus", including, of course, his celebrated "Nessun Dorma". Bonus duets with Andrea Bocelli ("Notte e piscatore"), Cecilia Bartoli ("Cherry Duet") and Frank Sinatra ("My Way") included. Universal. 2007. |
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O Holy Night / Luciano Pavarotti / Special Deluxe Edition (Decca)
Release Date: 2005-10-11
Sales rank: 2478
This CD is a compilation of (mainly) devotional music sung by Pavarotti when he was in or near his prime, most going back, gloriously, to 1976. Precisely what Orfeo's lament (from the Gluck opera) is doing in a recital called "O Holy Night" is beyond me, but the rest of the selections are well chosen. The title song is gorgeously enough performed to be worth the album's asking price, the tenor's voice ringing out with great clarity and beauty, and the selection from Rossini's Stabat Mater is even more thrilling, with its ascent to high D flat near its close. Verdi's "Ingemisco," from his Requiem, is handsomely and sensitively delivered, and the others elections, with or without choir, are simply stunning. A CD for Christmas and the rest of the year as well. --Robert Levine |
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The Most Famous Opera Arias
Release Date: 1994-07-19
Sales rank: 2753
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The Opera Gala: Live from Baden-Baden
Release Date: 2008-01-08
Sales rank: 19895
The Festival Theatre at the German spa town of Baden-Baden is a spanking modern concert hall behind the façade of a handsome 19th-century railroad station. In July 2007, it hosted an evening of wonderful singing by a quartet of leading operatic stars in a program that could have been titled "Opera's Greatest Hits." After a brief orchestral piece from Bellini's Norma the fireworks begin with the duet Mira, o Norma featuring soprano Anna Netrebko and mezzo Elina Garanca, their voices blending beautifully. From then on, it's one familiar, well-loved operatic chestnut after another, all done with spirited fervor and admirable vocalism. Tenor Ramón Vargas is a positive presence, giving us the bel canto gem Una furtive lagrima from Donizetti's L'elisir d'amore in a flawlessly idiomatic interpretation that includes stunning diminuendos and a melting mezza-voce. Ludovic Tézier's rich baritone scores with a subtle rendition of Riccardo's death scene from Verdi's Don Carlo and, in yet another highlight in an evening full of them, joins Vargas in the great duet Dio, che nell'alma infondere from that opera. Garanca's Mon coeur s'ouvre à ta voix from Saint-Saën's Samson et Dalila is undersung but her showpiece aria from Rossini's La Cenerentola sparkles, with impressive coloratura fireworks. Netrebko is among the most brilliant stars of today's operatic firmament and while overparted in Norma's Casta Diva, she's effective elsewhere. She brings the house down with the first of the concert's many encores, a performance of Lehar's Meine Lippen from the operetta, Giuditta, that includes seductive singing and acting, sexual flirtations, and energetic dancing. Her enthusiasm is infectious, sparking her colleagues as well as the audience. All four singers join in the quartet from Rigoletto that ends the formal portion of the concert, and in the final encore, they trade verses in an arrangement of the Drinking Song from La Traviata. Conductor Marco Armiliato, whose supportive accompaniments help make the concert a rousing success, directs the capable orchestra. So this two-hour singfest provides joys for vocal buffs despite the hectic video direction that keeps the cameras moving endlessly, unnecessarily swooping around the auditorium, zooming from balconies to the stage and back, and otherwise distracting from the main event. --Dan DavisDeutsche Grammophon proudly presents the new faces of the opera world in a glamorous new live concert DVD: Anna Netrebko, Elı - na Garancˇa, Ramón Vargas and the highly acclaimed young French baritone Ludovic Tézier sing a wide range of Italian and French opera favorites. This recording features highlights from concerts at Baden- Baden's Festspielhaus, where tickets to this extraordinary event sold out in record time. The DVD features the four young stars performing duets and the popular quartet "Bella figlia dell'amore" from Rigoletto. Other highlights include Delibes' famous flower duet from Lakmé performed sumptuously by Anna and Elı-na. Total Playing Time: 139 min. |
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Amore: Romantic Italian Love Songs
Release Date: 1992-09-15
Sales rank: 19890
From Calaf's "Nessun dorma" from Turandot, in which the singer exclaims his love for the ice princess and the victory he will have over her, through Lionel's realization that he will have a new life and be happy with Lady Harriet in Martha ("M'appari"), and on to Rodolfo's falling in love with Mimi in La Bohème when he touches her hand ("Che gelida manina"): here we have some of opera's most beautiful love songs, sung by Pavarotti when he was in his golden-voiced prime. His "Una furtiva lagrima" is touching and gentle, while his rendition of the Neapolitan song "Core 'ngrato"--a diatribe against his lover's rejection of him--is heartbreaking. Radames's hymn to Aida ("Celeste Aida") in which he sees Aida as "the splendor of [his] life," is glorious, and all of the other selections are equally fine. For lovers and others, this is a handsome collection. --Robert Levine |
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Voce D'Italia: Arias For Rubini
Release Date: 2008-01-22
Sales rank: 18319
The remarkable young Peruvian tenor Juan Diego Florez continues his triumphs over the difficulties of the bel canto repertory with this recital devoted to arias sung by Giovanni Battista Rubini (1794-1854). Rubini redefined the role of the tenor, singing heroically, with warmth, sensitivity, an amazing capacity for florid music, and an upper extension that allowed him to sing an F above high C. Florez seems to have it all (although his highest note here is a still-staggering high E-flat). The bright tone, charm, ease of production, comfort with coloratura, superb diction, and sheer love of singing is evident throughout this razzle-dazzle recital. High Ds pop out effortlessly in the heroic aria from Bellini's Il pirata and Rossini's lighter-hearted Il Turco in Italia. More introspective sections are sung with feeling and a long, seamless line. The final piece on the CD--a 12 minute tour de force from Rossini's William Tell that ends with a blazing high C--will have you cheering. Roberto Abbado's leadership is expert, sympathetic, and lively. Thrilling! --Robert LevineJuan Diego Flórez is THE tenor for bel canto operas, the first choice for any new production at the world's greatest opera houses. Flórez recently performed the first aria encore at La Scala in 74 years. On Voce d'Italia, he pays tribute to an extraordinary predecessor who inspired some of his greatest stage roles and became the first `superstar tenor': Giovanni Battista Rubini. Like Flórez today, Rubini was loved as much for the touching pathos of his slow singing as for the thrilling power of his fast, high roulades. Roles the two singers have shared include the Prince in Rossini's La Cenerentola, Elvino in Bellini's La sonnambula, Arturo in Bellini's I puritani, Uberto in Rossini's La donna del lago, and the title role of Rossini's Otello. Many of the arias by Rossini, Bellini and Donizetti on this new recording with the Orchestra of the Academy of Santa Cecilia, Rome under Roberto Abbado, are unknown gems which show the tremendous range of Flórez's vocal and dramatic art. Flórez thrillingly tosses off those high Cs which have brought him so much fame, and ventures further into the stratosphere with a few high Ds and his first high E-flat on record. |
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Norton Recorded Anthology of Western Music, Fifth Edition, Volume 2: Classic to Twentieth Century (6 CDs)
Release Date: 2006-01-01
Sales rank: 90036
The Norton Recorded Anthology of Western Music includes professional recordings (many brand new) of all works in the anthology on two six-CD sets, of which this is volume 2. |
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World's Very Best Opera for Kids... in English!
Release Date: 2003-09-23
Sales rank: 31933
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