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There are as many (if not more) "lowly" Pentax 67's and Mamiya RZ's in continuous use by the top working pros as Hassies and especially Rollies. The real differences in modern glass are nil, and both the Pentax and Mamiya offer more "real estate" on film. That's why pros have switched to them in droves. Dave ----- Original Message ----- From: <firstname.lastname@example.org> To: <email@example.com> Sent: Friday, April 26, 2002 8:32 AM Subject: Imacon vs. "The Others" > > Bottom line is that the Imacon(s) are still as pricey as CCD > film scanners get. If you're a professional, and have the budget, > then go for it. If you're a "serious amateur" with an unlimited > budget, go for it. > > Stephen G. claims he can make up the difference in cost > in a couple of photo sessions. That's great, but it doesn't > really apply to me. > > OTOH, there are a few of us who fit into neither of the > categories above. Some folks can't work with anything less > than a Hasselblad or Rollei; others have to make do with a > lowly Pentax or Mamiya <g>. > > > rafe b. - Turn off HTML mail features. Keep quoted material short. Use accurate subject lines. http://www.leben.com/lists for list instructions.