> Here is the way I compensate for such exposure when you know the > background should all be one colour: > > 1) Duplicate your source layer. > 2) Select the duplicate layer and run Filters->Generic-> Dilate. > 3) Repeat the dilate (ctrl-f) until the (black) print is gone. (For your > sample I did it three times) > 4) Apply a larger radius Gaussian blur (10 times the number of dilates you > did seems to work for me, so in this case, 30px) > 5) This layer is kind of a low-pass filter version of your page with the > text removed. Set this layer to grain extract to kind of remove it from > the original. > 6) Do Layer->New from Visible to get the composite. > 7) Now go and play with levels/curves/thresholding. > > Note this works best with low noise images (i.e. tiff or png is better than > jpeg) and higher resolution scans... > > Here is what I ended up with: > http://www.majhost.com/gallery/ffaat/gimp/more2/results.jpg > > -Rob A> > Thanks, this method gives virtually perfect results. Also, thanks to everyone for writing your suggestions. I like how the generality of the "grain extract" and its siblings would seem to make it a powerful tool in a number of areas, and I'm now fascinated. :-) I wonder if there exists a sort of compendium of gimp techniques from the signal processing perspective.... Nick _______________________________________________ gimp-user-list mailing list gimp-user-list@xxxxxxxxx http://mail.gnome.org/mailman/listinfo/gimp-user-list
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