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RE: Comment on : RE: Lincoln Inks Spectratone quadtone inks



<x-flowed>>Hi Bob,
  Bob Weerie won't touch a computer,  I've tried to get him to see
the light on several occasions.  For years he sold b/w images
In Santa Barbara Beach Art Walk every Sunday.  I think that was his only 
source of income. His income, Im sure, improved when he got his
teaching job somewhere in North Africa.
  I think He uses about every size of camera
except for 35mm.
  He had a one man showing at the Carnage Art Museum
in Ventura county earlier this year.  Beautiful full range B/W
prints, not that much unlike Adam's work.  But his work has a wider
range of subject matter, He travels more out of the country.  He, not me, 
worked full time for Adams and was paid.  I think for 4 or 5 years. I don't 
remember.  The rest of  us were there only for two weeks.  I haven't printed 
B/W prints in years,  so I don't remember
the paper names we used there.  At Brooks back then it was usually a Dupont 
paper.  Back then was the Mid to late 60s.
Robert H.



From: Bob Tyson <bobicho@earthlink.net>
>Reply-To: epson-inkjet@leben.com
>To: epson-inkjet@leben.com
>Subject: RE: Comment on : RE: Lincoln Inks Spectratone quadtone inks
>Date: Thu, 19 Oct 2000 09:27:05 -0700
>
>Hm? This is interesting scuttlebut--
>
>>Ansel, when I met him was using an air dried semi mat type Kodak
>>double weight paper.  Yes he did do some commercial work,  Not very
>>well,  To keep him afloat Kodak gave him all his film and paper for
>>free.  He was your basic artist and very poor business man. I didn't
>>know him well, I just worked for him for a couple of weeks during
>>summer vacation from Brooks.  Back then
>
>
>Curious-- when was this? '60's? '50's?
>
>
>>he utilized free labor from a lot Brooks students.  Bob Weerie,
>>still a friend of mine did his printing for several years, and
>>still has prodoces his own images that have the same flavor.  I can't
>>ask Bob any Questions now because he has a teaching post in photography
>>at some university in North Africa.   I see him about every other
>>year when he comes home to Santa Barbara, ca.
>>Robert H.
>>Bobby Gray
>
>
>Most of the Brooks students I've known might have worked for "a
>master" for a short time for free, but not longer. They all had bill
>of their own to pay.
>
>Why would Kodak have supplied Adams with "all his film and paper for
>free"? He wasn't so well known before the '60's-- or later-- and by
>the '70's he not only printed on air-dried F surface papers but
>favored not Kodak but Oriental Seagull as a paper of choice. Do I
>sniff an urban (darkroom division) legend here?
>
>He was certainly a mediocre businessman and it was Virginia who kept
>the family afloat financially. My wife innocently asked Virginia if
>she were an artist, too. V's icy glance accompanied the declaration
>that ONE artist in the family was plenty.
>
>What's you friend Bob's email address?
>
>Bob Tyson
>-
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