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RE: Is it the Ozone? (a fade test update)



<x-charset iso-8859-1>Bob,

Nice little study and very interesting.  One statement in your conclusions
sort of confuses me.  Under [point 7, you say:
	7.  It looks like, if we're going to use these inks, we're going to have to
get used to protecting our
	prints from the air.

>From all appearances, your study addresses different papers under different
conditions and not different inks on the same paper under the same
conditions or even different ink/paper combos under the different
conditions.  Can we really draw any conclusions about inks?  Do we know at
all anything about the inks and their contribution to the air contamination
sensitivity effects that we are getting?

I am not being critical or negative only inquisitive.


-----Original Message-----
From: owner-epson-inkjet@leben.com
[mailto:owner-epson-inkjet@leben.com]On Behalf Of Bob Meyer
Sent: Sunday, July 09, 2000 9:19 AM
To: epson-inkjet@leben.com
Subject: Is it the Ozone? (a fade test update)


Well, my samples of 7 papers have been stewing for a
week.  Let's take a look and see what's happened.

BATCH 1, exposed to the output from a whole house
electronic air filter, IN THE DARK.  So any effects on
the inks are a result of air alone, not light.

Epson Premium Glossy (EPG) - Noticeable color shift,
most apparent in the gray scale, which has gone quite
brown compared to the dark stored control print.

Epson Heavyweight Matte (EM) - No noticeable change.

Ilford Gloss Film (IF) - No noticeable change.

Ilford Gloss Paper (IGP) - No noticeable change.

Ilford Satin (IS) - Oops!  My sample blew away.

Pictorico High Gloss White Film (PHGW) - No noticeable
change.

Pictorico Gloss Paper (PGP) - Slight color shift.  Not
as noticeable as on the EPG, but definitely there.

EPG framed under glass - No noticeable change.

-------------------------------------------------
BATCH 2 - Exposed to outdoor air, but no direct
sunlight (Lots of indirect light).

EPG - Large color shift, more so than the first
sample, above. Grays have turned very brown.

EM - Slight color shift.  And the paper stock has
yellowed, too.  **This is a major disapointment.**

IF - No noticeable change

IGP - No noticeable change

IS - No noticeable change

PHGW - Noticeable change.  Not as bad as EPG.
Comparable to the shift on Epson Matte.

PGP - Significant change.  Looks just like the EPG, in
fact.

----------------------------------------------------
BATCH 3 - Displayed in a west facing window.  Direct
sun for a small part of the afternoon, but little
contact with outside air (until Thursday evening, when
we turned off the AC).

EPG - Very, very slight shift.  I don't think I'd
notice it without a control print to compare it to.

EM - No noticeable shift.

IF - No noticeable shift.

IS - No noticeable shift.

PHGW - No noticeable shift.

IS - No noticeable shift.

PGP - Very, very slight shift.

------------------------------------------------------
BATCH 4 - A mini test.  Two prints on EPG exposed
about 8 inches from a 22 watt flourscent light.
Indoors.  One under glass, the 2nd on top of the
glass.  No noticeable change on either one.


Conclusions?  Yes, it's the ozone.  The EPG print
stored in the dark, but exposed to the output from an
air cleaner, demonstrated the cyan fade (which I think
is a better description than orange shift).  The EPG
exposed to light through a window shows almost no
shift.

But exposure to light seems to enhance the fade, since
the print exposed to outdoor air/light shifted the
most, and we didn't have any bad air/ozone alerts
during this test.  This isn't really suprising, since
light acts as a catalyst to many reactions.

2.  Pictorico Gloss Paper isn't an answer. It shifted
pretty much the same as the EPG.

3.  Epson Matte is a major disappointment.  It shifted
noticeably in the print exposed outdoors.  I know
Epson doesn't make any longevity claims for outdoor
use, but this has only been a week.

Epson, are you listening?  Give me an address and I'll
be happy to send you a sample.

4.  Ilford papers have the potential to be great, with
appropriate driver settings. The paper isn't quite as
glossy as EPG, but it's close.  And I like the Satin
finish a lot.  The only real problem is that the ink
gets laid down too heavily, and there's noticeable
reticulation. I don't have cost information on the
Ilford, though.

Epson:  I know you want to sell Epson papers, but
given the embarassment this problem is causing, a tie
in with Ilford, and appropriate driver settings, would
seem to be in order.  Either allow Ilford to supply an
appropriate driver, or re-sell Ilford paper under your
name.  (How about Epson Enhanced Glossy Paper (c)* as
a name?)

5.  I had high hopes for the Pictorico High Gloss
White Film. Colors are identical to the EPG, and I
like the surface even better. It showed no fade in the
ozone/dark test.  But it didn't handle the outdoor air
testvery well.  And at 3 times the cost of EPG....

6.  Epson Premium Gloss stored under glass is looking
good.  I'm going to take part of the framed sample and
expose it outdoors (still in a frame) and see what
happens.  But one of the reasons I want the gloss is
so I don't have to display under glass.

7.  It looks like, if we're going to use these inks,
we're going to have to get used to protecting our
prints from the air.  That's a disapointment, but I
guess it means I can use cheaper matte papers intead
of gloss.

I'm going to start similar tests with Tetenal
SpectraJet 264, ICI Olmec Satin 260, and ICI Olmec
Gloss 260.  I've seen one report, at least, of orange
shift on the Tetenal, but haven't seen any tests on
the ICI papers.  I also just received the Red River
sample pack (a great deal, btw) and I'll probably test
a couple of papers from that batch.

BTW, let me extend thanks to John Nollendorf for the
Ilford samples, and Rachel at Digital Art Supplies for
the Tetenal and ICI samples.


=====
Bob Meyer
Step Outside.  The graphics are AMAZING!

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