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Re: Epson Ink > Standard > ASTM D 5383



<x-flowed>>  >John Nollendorfs wrote
>>Michael & (many) others:
>>Been following this thread and being intellectually entertained by theory
>>versus science vs real life observations.
>
>
>me too...
>
>
>INTRODUCTION:
>In a sense, its a battle between the physical scientists
>(who can, or try to, control all variables)
>and the behavioral scientists who frequently
>have to "make do"  with non-experimental methods...
>
>neither method is correct / incorrect
>and both add to knowledge and understanding...
>
>Inkjet prints are like people
>in that people make and display them...



>You should be aware that ASTM is part of ANSI, soon to become part 
>of ISO. ASTM does not compete with IT9.9. Nor are there conflicting 
>standards. Issuance dates of alleged competing "standards" might say 
>something. Nor is there a battle between "those who empirically 
>collect data" and therefore consider themselves correct and the ANSI 
>standards committee wrong".  You tend to imply that this is like a 
>political battle, or can be influenced by "popular opinion", and is 
>therefore out of reach of scientific reasoning. If so, you have a 
>lot to learn. The more you get educated as to the causes of fading, 
>the more you appreciate what the IT9.9 committee has accomplished. 
>Conversely, the less you know about the causal factors of fading, 
>the more you believe that testing is a simple process, and anyone 
>can do it. And that your anecdotal evidence is proof positive, and 
>even that anybody's evidence is proof positive. Chaos reigns once 
>again.


Light fading tests for wools have been going on for years, started 
back in early  textile days. More or less a go/no-go test, somewhat 
akin to tests performed internally by many companies to scout 
materials. Extrapolated to IT9.9 standard? I don't think so.





>NEW POSSIBLE STANDARD:
>There is a standards group (ASTM)
>with a relatively simple process
>and a practical repeatable test...
>
>which we could all share so we would
>all be using a "similar", if not identical,
>concept when we said "faded"...
>
>This standard test helps deal with the issue of Arizona
>car window tests vs. northern Maine north facing
>windows... and "maybe" with some of the other variables
>like humidity, glass, etc.
>
>
>REFERENCE:
>Quote
>"ASTM D 5383-97: Practice for the Visual
>Determination of the of the Lightfastness
>of Art Materials by Arts Technologists"
>
>Copyright 2000
>AMERICAN SOCIETY FOR TESTING AND MATERIALS
>West Conshohocken, PA. All rights reserved.
>This practice covers a method for exposing specimens
>of colored art materials indoors to sunlight coming through a
>closed window. A card containing eight ISO Blue Wool References
>is exposed simultaneously. Blue Wool References 2 3, 6, and 7,
>are used as controls in determining when to remove test
>specimens from exposure and rate them. Test specimens are
>rated by assigning each specimen the number of the Blue Wool
>Reference that shows the same amount of color change.
>This practice may be used to indicate art materials that
>will change color within a few months or years in normal
>indoor exposure and those that will remain unchanged for a
>period of years..."
>
>ENDQUOTE
>huge 6 page snip
>
>Adopted by:
>Developed by ASTM Subcommittee: D01.57
>Ordering Information
>Price: $ 30.00 Printed Pages: 6
>
>http://www.astm.org/cgi-bin/SoftCart.exe/STORE/store.htm?E+mystore
>
>will get you to the search engine.
>then put in "D 5383" in "search for standard"
>
>
>
>STANDARD SUMMARY:
>I purchased the "Standard" in PDF form for $30.00
>and downloaded from the link above...
>
>Test protocol involves ink on paper compared to 8 BLUE WOOL
>ISO TEST samples each with a *known* fade resistance...
>
>When your print fades at the same rate as wool number 1
>it means X years, wool no 2... Y years, wool number 8...Z years...etc.
>
>The standard tells you how to build the test device
>(opaque cardboard with opaque cardboard covers)
>How to read the results
>(you must a construct viewing slot
>using certain size cardboard cutout
>with known color characteristics, etc)
>How to create the test image
>(certain size test strips, etc)
>etc, etc., etc.  6 pages single spaced
>instructions but easy to follow and relatively simple
>The test IS based on window light being an accelerated
>light over normal display / museum light...
>
>Although there can, and will be, significant interpretation (error)
>in  READING the samples - - its better than nothing or
>waiting or never...  and you get to test your own ink combinations on
>favorite papers (and other weirdness') and if you do comparisons to
>Wilhelm then there are some (controlled experimental baselines)
>to follow as well...
>
>COMMERCIAL VERSION:
>A commercial version designed to meet the "standard" test
>including 3 Blue Wool sample cards is available from:
>Golden Paints
>Complete kit: $50
>Refill kit: $25 (more BLUE WOOL samples, 3 I think)
>1-800-959-6543
>(they have a website but product not listed)
>(they will also send you a handout info sheet for free
>recommend this first)
>
>I purchased the kit as well as the standard and its a very well made
>implementation of the "standard", but after looking
>at both the standard and the commercial kit
>I would recommend folks buy the "standard" if they are
>concerned about economy...
>
>The cheapest way to do this is to buy the standard
>for $30, build your own kit for $10-20 more...
>
>the main cost and the main "experimental control"
>is/are the blue wool "fade" cards (you get 3 in the $50 starter kit above)
>
>or you can get 10 for $42.50
>or 50 for $205
>or 100 cards for $310 from Talas
>
>http://nt.bnt.com/talas/menu.html?category=130
>
>fascinating site incidentally
>lots of archival related materials and tests
>
>http://www.talas-nyc.com/
>
>
>RATIONALE:
>Of course this is not as scientific as Wilhelm
>BUT if enough people did the tests
>(and carefully recorded their conditions)
>a significant database with averages, means,
>conditions, etc. could be assembled...
>
>more than Wilhelm could ever do in a lifetime
>and thats one way the social science
>works - - lots of data sets help to compensate for
>the lack of controls...
>both methods contribute
>
>
>It basically works out to $3.10 per test...
>
>
>A BUSINESS:
>there might even be a mini-business here
>for someone... (not me)
>
>
>Pay $50 - 100 per year for web access
>( or contribute X data "certified" points for free access)
>
>Logon...
>Check that database...
>
>
>AhHa...
>OEM inks on egg coated paper
>in bora-bora
>1 week....  ;-)
>
>
>AhHa...
>Lyson Fotonic inks on pancakes
>in North Dakota
>2 weeks....  ;-)
>
>
>Thanks.
>Bob O sending from home.
>
>more later.
>
>FYI.
>
>The Physics of the Museum Environment
>http://www.natmus.min.dk/cons/tp/index.htm
>
>>From Northeast Document Conservation Center
>
>"Protection from light damage"
>http://www.nedcc.org/plam3/tleaf24.htm
>
>"The Care of Photographs"
>http://www.nedcc.org/phocar.htm
>
>
>
>
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>-
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