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> John Goerger: < The only printers that > we were not allowed ANY access to, were the 3000's running > the Lumijet > inks and papers.> ,,,,,,,,,(heavily clipped)... John: I can understand your feelings about how you were treated, but after reading the other side of the story I don't think Jon Cone was directly responsible for the lack of your paper being used. Enough said. I would have liked to see some report on how your new Guardian paper worked. As you know the samples that you sent me to test were absolutely top notch. I used my 3000 and Lysonic E inks to make the prints. The quality of the images reminded me of the old Kodak Ektalure fiber based paper. The quality was some of the best I have seen coming off a heavy weight watercolor coated paper. If anyone is printing photographs and want to produce a print that reminds them of the old days in black and white photography I really think they should try some of the Guardian paper. One thing I would suggest they do is have a set of profiles made for the ink, printer combination they use. I feel the quality will improve even more. Good luck with this new paper. Jim Davis www.visual-artists.com/paper - Please do not include an entire message in your response. Delete the excess. http://www.leben.com/lists for list instructions.
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