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Re: Siggraph Studio





> John Goerger:  < The only printers that
> we were not allowed ANY access to, were the 3000's running
> the Lumijet
> inks and papers.>  ,,,,,,,,,(heavily clipped)...

John:
I can understand your feelings about how you were treated, but after
reading the other side of the story I don't think Jon Cone was directly
responsible for the lack of your paper being used. Enough said.

I would have liked to see some report on how your new Guardian paper
worked. As you know the samples that you sent me to test were absolutely
top notch. I used my 3000 and Lysonic E inks to make the prints. The
quality of the images reminded me of the old Kodak Ektalure fiber based
paper. The quality was some of the best I have seen coming off a heavy
weight watercolor coated paper.

If anyone is printing photographs and want to produce a print that
reminds them of the old days in black and white photography I really
think they should try some of the Guardian paper.

One thing I would suggest they do is have a set of profiles made for the
ink, printer combination they use. I feel the quality will improve even
more. 

Good luck with this new paper.

Jim Davis
www.visual-artists.com/paper
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