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First, thanks to all who answered my "darkroom vs. digital" query. I really appreciated the replies. I agreed with virtually everything that was said, which, unfortunately leaves me unresolved, since valid points were made for both camps. I had one realization: I was looking at a Jerry Uelsmann image, and I suddenly realized: for all the ease and power of Photoshop in one of its strongest and most widely used suits, that of compositing, this Uelsmann image is more powerful and affecting than virtually any digital image I can think of. And, in fact, I actively dislike many digital composites because they look busy and phony. Uelsmann's images look majestic and magical. Now, does that mean I'm going to buy 11 more enlargers? What am I, nuts? It does mean that tools are tools. The most cumbersome of methods can be made to work, and the most facile of methods does not guarantee art or vision or even craft. It does not defeat any of those things, either. The snotty gallery owner mentioned recently is a fool. The quality or value of the art has nothing to do with whether or not it's printed on an Epson printer (well, except for archival concerns, which were probably not primary to him.) My guess is that there will come a time when early archival prints (provided they are good art, whatever that is) will become priceless, and that same gallery owner, if he's still alive, will rue the day he passed on them. I'm a big fan of a talent like Uelsmann. I'm a big digital fan. My computer doesn't turn me into Uelsmann. But NOT using a computer doesn't, either. One more thought: I'm not a computer historian, so I don't know how long desktop image printers have been around. I only know my own experience. When I bought my first computer, it was because I was going back to school late in life and wanted to replace the dedicated word processor I had, which was a total piece of crap. So, in maybe '91 or so, I bought a little Performa, and a printer. At the store they pointed out that Apple was also coming out with a color printer! They didn't even have them in yet, but they had a demo. I looked at this thing, the first digital color print I'd ever seen, and just thought it was a joke. I mean, it was a toy, a gimmick, something to amuse your kids with if you had a couple hundred more bucks you didn't need. That wasn't ten years ago! Now we have serious artists and graphics pros making serious digital prints on the desktop. This thing is just starting! We're just learning how to use these tools, these profiles, these inks, all these things, some of which didn't even exist a few years ago. My bet: If you can't afford Uelsmann, buy digital. Or, as I'm trying to do, make your own. James Irelan - ** Endura-LE Archival inks and cartridges for Epson 3000 printers.** ** New! Compatible cartridges for Epson Stylus Color 900 printers ** ** Cartridges, bulk ink & refill kits-visit http://www.WeInk.com/ **
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