Despite my embarassment at not knowing who Michael Scarpitti is, I enjoyed reading Ben Haskell's two-part challenge for typographers and hope some inkjet-printer trade association will offer prizes so tempting that many typographers will respond. In the meantime, I'd like to know what Ben and others who care are using for lack of anything designed for inkjet use. I used Adobe's Myriad a lot, sometimes with Adobe's Minion, although Minion doesn't hold up as well. I might use both again because I have the impression that the Adobe Sans and Serif faces used in Acrobat are derived from Myriad and Minion and might therefore work better with them than with alternatives to them. In fact, it's occured to me to try using Sans and Serif themselves to see if that will keep Acrobat from messing with the text at all. At least the price is right. My current sans serif favorite is, however, Adobe's Cronos, which seems to me an improvement on Myriad. I often use Cronos with Adobe's Chaparral although they seem an odd couple. Chaparral is one of the slab serifs Ben thinks are, as a class, ugly. I disagree. And I like Chaparral for correspondence and for extended text, although, if I hadn't wanted a Multiple Master, I would have bought ITC Charter instead. And in Windows I would try Verdana and Georgia - for free! - when the fully featured families I prefer weren't needed. Two text faces I'd like to try are Gerard Unger's newspaper face "Gulliver" and Petr van Blokland's "Proforma", which he designed for computerized forms systems (and The Font Bureau distributes). If anyone's tried either of these I'd like to know the results. And, although I think Ben's right about modern faces in general, I also think Adobe's Kepler might be made to work well with the newest inkjets. Has anyone tried Kepler? Sam samcc@compuserve.com - Please: Stay on topic. Trim quoted messages. http://www.leben.com/lists for list instructions.